Grad student Barkley Michaelson (Bryan Greenberg) is getting his PhD in cannibalism - not for actually eating his fellow man, mind you, but for studying those who do. This choice of topic doesn't sit very well with his dad, a hateful, arrogant college professor who's just been awarded the Nobel Prize for chemistry and who wants his son to carry on his legacy after he's gone. Unfortunately, as Professor Eli Michaelson is over in Stockholm receiving his award, Barkley is back home in Pasadena being held for ransom by a crazed kidnapper. This is the setup for "Nobel Son," an Oedipal drama done in the form of a smart-alecky, wisecracking pitch dark comedy. Acting stalwarts Mary Steenburgen, Shawn Hatosy, Bill Pullman, Danny DeVito and Ted Danson round out the cast.
If there's one thing a filmmaker can't fake, it's "coolness" - yet that's the one thing writer/director Randall Miller keeps working so hard to achieve in "Nobel Son," a movie that too often comes across as a poor-man's version of Quentin Tarentino. Yet, despite that derivativeness, the movie's frenetic style - a mixture of razzle-dazzle camera and editing techniques, snarky black humor, and a pounding rock soundtrack - reveals that Miller has some real potential as a filmmaker. And a series of nifty plot twists in the final third go a long way towards mitigating any misgivings we may have harbored about the movie earlier on.
If there's one thing a filmmaker can't fake, it's "coolness" - yet that's the one thing writer/director Randall Miller keeps working so hard to achieve in "Nobel Son," a movie that too often comes across as a poor-man's version of Quentin Tarentino. Yet, despite that derivativeness, the movie's frenetic style - a mixture of razzle-dazzle camera and editing techniques, snarky black humor, and a pounding rock soundtrack - reveals that Miller has some real potential as a filmmaker. And a series of nifty plot twists in the final third go a long way towards mitigating any misgivings we may have harbored about the movie earlier on.