A fairly successful screening in terms of action and editing. Often, the action suffers because of the phrases. It seems that the whole team mobilized to give the action credibility. The clichés about the general gun often overshadowed the narrative discourse. In retrospect, the direction gave in to the myth created on account of this character. Christian Clavier has created a good character. The documentation was not necessarily a comparison with reality, but a reconciliation with the position once displayed by French cinematography. The only consolation for the evocation of this character was apparently the display of the social madness that was the French revolution.
Review of Napoléon
