This installment of the Chan series is more light-hearted than many, with daughter Frances replacing her brothers in the family sidekick roll, and Birmingham Brown getting a lot of screen time. The séance is another of the classic murder mystery settings used in the series - for the second time, in fact. The complaints by other reviewers about Frances Chan's acting boggle the mind - she's an appealing character, and this ain't Shakespeare, folks. It's nice to have the woman's - or girl's - touch in the series, and Sidney Toler is more affectionate towards her than to sons one and two. Hypnosis and plastic surgery are overworked gimmicks in mysteries, but hey, this is B-movie-land. Mantan Moreland is given plenty of time to clown, and he does his usual great job of it. Yes, he plays the fool, but no more so than my beloved Three Stooges, and folks, they were as white as you can get. If you can't see the difference between Stepin Fetchit and Mantan Moreland, that's a you problem.
Considering it was made in a few weeks with a minimal budget, this Chan was a fun hour of entertainment. Charlie is Charlie - one step ahead of the police he helps - Frances is a breath of fresh air, and Birmingham entertains with his comic acting. Black Magic is exactly what it set out to be - not Citizen Kane, and not trying to be.
Considering it was made in a few weeks with a minimal budget, this Chan was a fun hour of entertainment. Charlie is Charlie - one step ahead of the police he helps - Frances is a breath of fresh air, and Birmingham entertains with his comic acting. Black Magic is exactly what it set out to be - not Citizen Kane, and not trying to be.