There aren't a whole lot of horror movies out there involving pigs. Or maybe there are, but not as many as there should be. Most of the time pigs in popular culture are cute, funny, a term of insult, to a majority the word pig brings up a dirty, snuffling and shuffling pack of beasts in a farmers yard, waiting to get turned into delicious food. So to use pigs as a force for horror, to have them preying on humans, it's a good role reversal. Plus, the basic form of a pig doesn't take too much distortion and increase in size to become a pretty menacing looking customer. It was with these thought in mind that I sat down to Pig Hunt, unknowing that the pig action is actually just one aspect of the film, it being more of a backwoods genre mash up. The film sets about its build up during the course of a hunt, friends out for macho bonding in the forest (though one girlfriend tags along), a soaking, chilly trek with a few hints and rumours to stir a sense of mystery. Monster pig action is conspicuously absent for quite some time as the film combusts somewhere around the halfway mark, blazes through exciting hick-sploit action and some more unexpected craziness before we finally get into monstrous territory. Fortunately, the beast is mighty impressive, no CGI in sight, a tightly shot ferocious tusked beast rather worth the wait. A downside of all of this is that such a set up somewhat requires decent, memorable or likable characters and performances and Pig Hunt is pretty meh on the characterisation and acting fronts. No one is especially bad, but equally I never felt much for anyone. Travis Aaron Wade is a competent enough hero figure, Tina Huang does a fair tough gal schtick as his girlfriend, Howard Johnson Jr. makes for a decent a-hole, slightly more of a punch is provided by Jason Foster and Nick Tagas as wild natured but initially friendly hicks, while most notable is Les Claypool as a bulky, mystical figure who becomes important later on in the game. Though generally competent, the film suffers from a drawn out first half in which presumably we are supposed to get to know the characters so we can suffer and thrill along with them, but as mentioned they just aren't especially interesting. Slick, wet and vivid cinematography from Adam Kane makes for a suitably arduous atmosphere and when things do get exciting director James Isaac keeps tight, stylish hold on things, making for one or two impressive, thrilling moments. There's more nudity than might be expected, which is rather pleasing to behold, and a few good grisly scenes, the film isn't too concerned with gore but uses it for some nifty jolts. Interestingly, the goriest scene involves a pig rather than a human. Comment on the savagery of man? I could have done with more general gore, a shorter first half and longer final block (the film needs more pig!) but generally I was pretty pleased by this one. No classic, but certainly a worthy modern day B picture.
