Wrong is Right was handicapped by indifferent marketing; it had a good cast, decent script, good production values. It also came out just after the trough of the Carter administration malaise... and during the Iranian hostage crisis, when people did not want to see MORE terrorists than they already knew existed.
But Wrong is Right is more enjoyable now, when its plot line is comparatively tame compared to the events of the last twelve years.
Post-9/11 viewers can see how prophetic Wrong is Right is of how the War on Terror would play out, with both major US political parties signing on for the dysfunctional response to terror attacks on the United States we eventually saw in 2001.
Wrong is Right's saving grace is the taut interweaving of savage satire and action scenes that characterized its famous predecessor "Dr. Strangelove: Or How I Learned to Relax and Love the Bomb." It drags a little in parts, but not much, and some of the humor is hackneyed, but again, not enough to hurt the production.
The cast of Wrong is Right is "name" actors who came to work, no one phoning in his or her performance. And those performances are very good for a low-budget Hollywood film - they maintain a dark comedic pace as close to that of Dr. Strangelove as possible without Terry Southern in his salad days writing and Peter Sellers doing his stellar best to delight and bemuse.
Wrong is Right could have been made better; it's still one of those wicked satires which you ought to see when you're in the mood for a movie that says "I told you so." Something I'm very grateful "Dr. Strangelove" hasn't been able to say. Yet.
But Wrong is Right is more enjoyable now, when its plot line is comparatively tame compared to the events of the last twelve years.
Post-9/11 viewers can see how prophetic Wrong is Right is of how the War on Terror would play out, with both major US political parties signing on for the dysfunctional response to terror attacks on the United States we eventually saw in 2001.
Wrong is Right's saving grace is the taut interweaving of savage satire and action scenes that characterized its famous predecessor "Dr. Strangelove: Or How I Learned to Relax and Love the Bomb." It drags a little in parts, but not much, and some of the humor is hackneyed, but again, not enough to hurt the production.
The cast of Wrong is Right is "name" actors who came to work, no one phoning in his or her performance. And those performances are very good for a low-budget Hollywood film - they maintain a dark comedic pace as close to that of Dr. Strangelove as possible without Terry Southern in his salad days writing and Peter Sellers doing his stellar best to delight and bemuse.
Wrong is Right could have been made better; it's still one of those wicked satires which you ought to see when you're in the mood for a movie that says "I told you so." Something I'm very grateful "Dr. Strangelove" hasn't been able to say. Yet.