8/10
Harlow in all her pre-code glory
2 December 2010
"Red Headed Woman" released in 1932 by MGM, is all about Jean Harlow. Harlow came to MGM under the guide of Irving Thalberg, the boy wonder of the studio. Louis B. Mayer, a conservative man, initially wanted nothing to do with Harlow. He felt her image was that of a bimbo, but Thalberg held considerable power at the studio, and he made Harlow a star. In this film, one of several she made that year, Harlow plays a tough gal from the wrong side of the tracks. Her goal is to be rich, and she will use her "assets" to do so. Harlow sets out to seduce her boss (Chester Morris) who is very serious-minded and very married. Next thing you know, he's divorcing his wife and is now with Harlow. Not satisfied with this conquest, Harlow sets her sights on New York and shamelessly seduces a very rich (and yes, married) businessman (Henry Stephenson). It all gets quite complicated, with more men and eventually her husband getting wise to her games. But Harlow is a wonder here, with her tough talk and great accent, she rules the film. Matters such as marital infidelity and sex are not disguised, as this was two years before the code of 1930 would clamp down on the movie industry. In fact, this film was one of several which outraged the moralists and eventually lead to the 1934 censorship rules. Anyway, see the film for Harlow. Some good supporting performances, including Una Merkel as Harlow's wise-cracking friend, and Lewis Stone, playing Chester Morris' father.
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