O. Henry's "The Gift of the Magi" is one of the two best-known secular Christmas stories -- the other is, of course, Dickens' "A Christmas Carol". It is also much harder to translate to a screen feature, since O. Henry specialized in short stories with 'snapper' endings -- usually sardonic jokes on their protagonists.
This TV movie makes a fair try at filling up the spaces by updating the story -- modern urban women no longer sell their hair to wig makers, and certainly not to buy fobs for their husbands' pocket watches, since men mostly don't use pocket watches these days.
But the poor we always have with us, so this story is about a husband who wants to buy a good lens for his wife's beloved heirloom camera while she wants to buy an original steering wheel for the vintage car he is restoring -- these stand in for the original gifts. And the leads, Marla Sokoloff and Mark Webber, are handsome and loving.
But the story telling soon gets lost in a maze of secondary characters who are used to fill up the time, and while Ms. Sokoloff continues as earnest throughout, Webber turns into an inconsiderate boor by the time the story is heading towards the lap.
Over all, it's a good effort, and the casting and direction are good, but the script needs a bit of work and focus, making this simply watchable. A pity.
This TV movie makes a fair try at filling up the spaces by updating the story -- modern urban women no longer sell their hair to wig makers, and certainly not to buy fobs for their husbands' pocket watches, since men mostly don't use pocket watches these days.
But the poor we always have with us, so this story is about a husband who wants to buy a good lens for his wife's beloved heirloom camera while she wants to buy an original steering wheel for the vintage car he is restoring -- these stand in for the original gifts. And the leads, Marla Sokoloff and Mark Webber, are handsome and loving.
But the story telling soon gets lost in a maze of secondary characters who are used to fill up the time, and while Ms. Sokoloff continues as earnest throughout, Webber turns into an inconsiderate boor by the time the story is heading towards the lap.
Over all, it's a good effort, and the casting and direction are good, but the script needs a bit of work and focus, making this simply watchable. A pity.