When working class secretary Lucille Ball encounters wealthy Edmund O'Brien at the opera, sparks fly, and so does a purse. Ball's family have somehow ended up with O'Brien's usual opera box tickets and both parties create a huge disturbance that ends with Ball's purse flying out of her hands and onto O'Brien's head when he's (heaven forbid!) seated in the orchestra. The next thing Ball knows, she's been recruited to become O'Brien's secretary and initial hatred turns into an unlikely friendship. O'Brien has an obnoxious socialite fiancée (Marguerite Chapman) who keeps on walking in on Ball and O'Brien at awkward times and creates all sorts of misunderstandings. Ball is engaged to a sailor (George Murphy) who befriends O'Brien and takes him under his wing. O'Brien finds he likes Ball's rowdy family more than his social circle, and Ball finds that while she adores Murphy, her feelings for O'Brien cannot be denied.
There are some really funny moments in this film, including an incident with a naval pal of Murphy's who literally can grow four inches at will simply by stretching his neck, back and leg muscles (and apparently shrink back to his normal height). This creates a scene in front of sniffy Franklin Pangborn's pet supply store and brings on typical comic havoc. O'Brien, later a dependable tough guy, is different here than anything he did later on, so that makes for an interesting twist. However, great comic moments don't make a great film, and this ultimately is missing the flour that makes the cake rise. None of Ball's later wackiness is apparent in this one. I must also point out that eccentrically obnoxious isn't always amusing to watch, and that describes Ball's family here to the tea.
There are some really funny moments in this film, including an incident with a naval pal of Murphy's who literally can grow four inches at will simply by stretching his neck, back and leg muscles (and apparently shrink back to his normal height). This creates a scene in front of sniffy Franklin Pangborn's pet supply store and brings on typical comic havoc. O'Brien, later a dependable tough guy, is different here than anything he did later on, so that makes for an interesting twist. However, great comic moments don't make a great film, and this ultimately is missing the flour that makes the cake rise. None of Ball's later wackiness is apparent in this one. I must also point out that eccentrically obnoxious isn't always amusing to watch, and that describes Ball's family here to the tea.