8/10
A gritty, complex, and engrossing Italian crime mob thriller
13 May 2011
Warning: Spoilers
Tough criminal Hank McCain (superbly essayed with simmering hard-boiled intensity by John Cassavetes) gets released from prison after serving twelve years for armed robbery. Hank hooks up with his wormy small-time son Jack (an effectively sniveling turn by Pierluigi Apra), who has devised a daring plan to rob a Las Vegas casino. Unbeknownst to Hank, Jack is also involved with volatile and ambitious mob capo Charlie Adamo (a fine performance by Peter Falk), who uses Hank as a pawn so he can gain control of Vegas territory that's currently being run by the formidable Don Franceso De Marco (smoothly played by Gabriele Ferzetti). Director Giuliano Montaldo, who also co-wrote the absorbing and intricate script with Mino Roli, does a bang-up job of creating and maintaining a serious take-no-prisoners tone throughout, stages the tense and gripping big heist with considerable flair and skill, and punctuates the picture with jolting moments of sudden brutal violence. Cassavetes' edgy presence keeps the movie humming throughout; he receives excellent support from the lovely Britt Ekland as Hank's sweet and loyal girlfriend Irene Tucker, Florinda Bolkan as the shrewd Joni Adamo, Tony Kendall as sly hit-man Peter Zacari, and, in a rather small, but bravura part, Gena Rowlands as Hank's helpful two-fisted old flame Rosemary Scott. The last third with the gangsters organizing a massive manhunt for McCain totally smokes, with a stirring car chase set piece and a startling bummer ending that packs a bitterly powerful punch. Erico Menczer's handsome widescreen cinematography gives the film an attractive glossy look. Ennio Morricone's funky syncopated score hits the right-on rousing spot (the ending credits ballad is a real beaut!). Well worth seeing.
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