Jinming and Zhaoyang travel around illegal mines with marginalised, friendless individuals, people who won't be missed, killing them underground and faking a mine collapse, so they can collect the compensation. The scam works well till their youngest ever recruit, fresh-faced Yuan, starts to grow on his 'uncle' Jinming, leading Zgaoyang to make a fateful decision.
Yang Li fashions a gritty, realistic tale from naturalistic performance and uncompromising locations. Life in the mines seems so severe, so sapping, that there is a tinge of release around the untimely deaths of the victims. The camaraderie and ephemeral nature of life as an itinerant worker is shown in all its banal and brutal detail. Families exist at the end of a phone line. The banter crackles with humour. Women are bought and paid for. Drink, cigarettes and gambling fill out the days. Bosses are amoral misanthropes.
This picture certainly jars with the 'new China' currently feted in Sunday glossies and in-flight magazines. Strong plot, and with a social conscience, this is an interesting fusion of social realism and plot-driven film-making. Highly recommended.
Yang Li fashions a gritty, realistic tale from naturalistic performance and uncompromising locations. Life in the mines seems so severe, so sapping, that there is a tinge of release around the untimely deaths of the victims. The camaraderie and ephemeral nature of life as an itinerant worker is shown in all its banal and brutal detail. Families exist at the end of a phone line. The banter crackles with humour. Women are bought and paid for. Drink, cigarettes and gambling fill out the days. Bosses are amoral misanthropes.
This picture certainly jars with the 'new China' currently feted in Sunday glossies and in-flight magazines. Strong plot, and with a social conscience, this is an interesting fusion of social realism and plot-driven film-making. Highly recommended.