A Uruguayan film which claims to be filmed all in one shot and in real time! I was intrigued to see whether the claims were true. As film making has progressed, what is to stop anyone from making a film in one long continuous shot? Well here's an attempt from debut film maker Gustavo Hernandez.
The plot is based on a true story of an event which happened in the 1940s in Uruguay. A father and daughter are called to a cottage/farmhouse to house sit until it's eventually sale. It doesn't take long to find things are not as quiet and serene as they seem. The daughter Laura, (the main focal point in the film) starts to hear some noise coming from the rooms above. She wakes her father who goes reluctantly to investigate and that's when the film kicks into gear. After a few minutes and the non re-appearance of her father, Laura decides to find out what has happened to her father.
What happens next is a series of what I would call "boo" moments, as the film makers try to catch the viewer off guard by springing up flashes of images and dark shadows in the background to instill so scares. As a veteran horror fan it wasn't too successful. What the film does succeed on though is giving the sense of claustrophobia. Having only one view point can be really unsettling, as the camera follows our protagonist from behind and slowly switching views to being in front and occasionally becoming the POV shot, there is no cut away or a secondary view point. The film makers have really tried to make the film flow like an uncut one long continuous shot.
But is the film really filmed with no cuts? Unforutnately no, those of you with an eagle eye will probably be able to spot the seamless cuts between the passing through objects or anything dark. That isn't to say that there isn't a lot of technical achievement on show but the claims of the film are clearly not 100% accurate. There is a lot to say about only having one view point as it can seem really restrictive but in turn it can boost the overall atmosphere and tension. The lack of film score also adds to the sense of dread as every little sound is magnified.
The only thing criticism I would level at the film is it's last reveal or final revelation. When you find out what is really happening there's an enormous sense of let down. For all the films technical flair, the film is severely hampered but it's silly turn in events. If you have seen the French film Haute Tension then you will understand what I am talking about. It should have kept on going as a haunted house story instead of what it turns out to be.
An interesting idea, clever uses of light and dark and the generation of tension is admirable. Clearly influences by other low budget horrors like Blair Witch and the video game Silent Hill. A girl walking around a house with only a torch to light the way only conjours up memories of playing the old survivor horror game. Alas, I feel I would have more fun playing the game than watching this film. A flawed experiment.
The plot is based on a true story of an event which happened in the 1940s in Uruguay. A father and daughter are called to a cottage/farmhouse to house sit until it's eventually sale. It doesn't take long to find things are not as quiet and serene as they seem. The daughter Laura, (the main focal point in the film) starts to hear some noise coming from the rooms above. She wakes her father who goes reluctantly to investigate and that's when the film kicks into gear. After a few minutes and the non re-appearance of her father, Laura decides to find out what has happened to her father.
What happens next is a series of what I would call "boo" moments, as the film makers try to catch the viewer off guard by springing up flashes of images and dark shadows in the background to instill so scares. As a veteran horror fan it wasn't too successful. What the film does succeed on though is giving the sense of claustrophobia. Having only one view point can be really unsettling, as the camera follows our protagonist from behind and slowly switching views to being in front and occasionally becoming the POV shot, there is no cut away or a secondary view point. The film makers have really tried to make the film flow like an uncut one long continuous shot.
But is the film really filmed with no cuts? Unforutnately no, those of you with an eagle eye will probably be able to spot the seamless cuts between the passing through objects or anything dark. That isn't to say that there isn't a lot of technical achievement on show but the claims of the film are clearly not 100% accurate. There is a lot to say about only having one view point as it can seem really restrictive but in turn it can boost the overall atmosphere and tension. The lack of film score also adds to the sense of dread as every little sound is magnified.
The only thing criticism I would level at the film is it's last reveal or final revelation. When you find out what is really happening there's an enormous sense of let down. For all the films technical flair, the film is severely hampered but it's silly turn in events. If you have seen the French film Haute Tension then you will understand what I am talking about. It should have kept on going as a haunted house story instead of what it turns out to be.
An interesting idea, clever uses of light and dark and the generation of tension is admirable. Clearly influences by other low budget horrors like Blair Witch and the video game Silent Hill. A girl walking around a house with only a torch to light the way only conjours up memories of playing the old survivor horror game. Alas, I feel I would have more fun playing the game than watching this film. A flawed experiment.