While Hays has certainly done better films, during his heyday (no pun), this one stands at about a C+. Perhaps 'Airplane' was one of his top, better ones, but heck -every actor has the right to "step down" into a smaller venue. He still pulls his own here. Okay - so Hershey isn't standing firm in a strong, fem role this time. But she also holds her own. And she's allotted moments where her true talent as an actress, comes out. That's the beauty of loving Hershey. Even in a very supportive role, she still paves her own.
For the most part - this film high-fives the typical, old-day blue-collar, Midwestern, parody; which for its time, was much appreciated. Just another example of the typical condescending, stuff-shirted Corp. puff attitudes. Here, David Keith (Harry) brilliantly portrays; alongside costar Thomerson (Ray), a feast-or-famine challenge. The game is on: workplace upgrades, threats of buy-out and the mgmt. changes - none of it for the better. Harry and Ray pull together, retaining the 'working man' dignity - and bravely shoot against the grain. Their portrayal is another example of the "worker" daring to confront the "big boys"; a common post blue-collared-ghetto movement of the time.
In the end (very decently directed, and out-laid) Hays (Macklin) wises up, realizing he; and his commadarie, were nearly side-lined by the very honchos who pretended to have his back.
For the most part - this film high-fives the typical, old-day blue-collar, Midwestern, parody; which for its time, was much appreciated. Just another example of the typical condescending, stuff-shirted Corp. puff attitudes. Here, David Keith (Harry) brilliantly portrays; alongside costar Thomerson (Ray), a feast-or-famine challenge. The game is on: workplace upgrades, threats of buy-out and the mgmt. changes - none of it for the better. Harry and Ray pull together, retaining the 'working man' dignity - and bravely shoot against the grain. Their portrayal is another example of the "worker" daring to confront the "big boys"; a common post blue-collared-ghetto movement of the time.
In the end (very decently directed, and out-laid) Hays (Macklin) wises up, realizing he; and his commadarie, were nearly side-lined by the very honchos who pretended to have his back.