Technically competent and adequately performed Hallmark fare. Nadia Tass has to be a contender for Australia's own version of the "Otto Preminger Upward Failure" Trophy - an infamous award from Esquire Magazine accorded to the Swedish Hollywood director who started his career with a half decent film and got steadily worse thereafter. Since "Malcolm" (1986) , it's been downhill ever since for Ms Tass - and yet she seems to get automatically funded. It must be a Melbourne thing (ref Paul Cox et al).
This film stinks on every level - because of its disguise as a quality film. It's cloying cast mug and perform by numbers. The plot comes from a weekend Robert McKee course and the resolution would probably even send hallmark executives asking for a shootout. The soundtrack is also pure saccharine, just in case you miss the point. There's no meat on any of the bones in this - it's all predictable and "charming". UUgh.
Avoid at all costs.
Oh, the score of 2 is for the her husband's cinematography ... which is excellent, as always.
This film stinks on every level - because of its disguise as a quality film. It's cloying cast mug and perform by numbers. The plot comes from a weekend Robert McKee course and the resolution would probably even send hallmark executives asking for a shootout. The soundtrack is also pure saccharine, just in case you miss the point. There's no meat on any of the bones in this - it's all predictable and "charming". UUgh.
Avoid at all costs.
Oh, the score of 2 is for the her husband's cinematography ... which is excellent, as always.