Fiction and reality
18 February 2012
Warning: Spoilers
Not having seen "The Romantic Englishwoman" before, we got the opportunity as it was shown on a classical movie channel recently. Its pedigree showed a lot of talent went into the production of this movie. First of all, Joseph Losey, as a director, then the screenplay written by Tom Stoppard with Thomas Wiseman, the author of the original novel, and last a cast that included Michael Caine and Glenda Jackson, so could be wrong?

Lewis, the writer, is apparently blocked. His new novel is taking place in his mind as well as some of the action appears on the screen. It involves Lewis' wife, Elizabeth interacting with a man that she met at the luxurious Brenner Park Hotel and the Baden-Baden casino where a bored Elizabeth goes to get away from it all. Elizabeth is surprised as she finds Thomas, the stranger she met on the train.

The novel follows loosely the novel which Lewis is trying to write. What went on at the posh resort, suddenly changes, when Thomas suddenly decides to try England for a change of pace. Thomas deals in drugs, but obviously has no clue as where to hide the powdery substance in a drain pipe of the hotel. Lewis is intrigued with the prospect of having Thomas close by inviting him to stay with him as a personal secretary, infuriating Elizabeth, before she finally falls for the visitor's charms.

Boredom is an element for most of the rich set around Lewis and Elizabeth, something the author cannot take. Things become a bit difficult for Thomas, who decides to leave for the Continent taking Elizabeth along, who by then has become involved with the younger man. Because of Thomas drug problem it does not take too long before the people he cheated get a hold of him, thus ending Elizabeth fascination with this pseudo poet man.

This is not one of the best efforts by the distinguish director Joseph Losey. His triumphs in films like "The Servant", "Mr. Klein", "The Go Between" and other more successful films, are not reflected in this one. There are hints of his talent. The elegance he always brought to his work is present here. The posh interiors in most of the film are prominently shown. One would have wished to have seen a better copy of this film in which the emphasis is luxury in contrast with the shallowness of the character of Thomas, who uses older women in order to survive.

The best thing in the film is Glenda Jackson's Elizabeth. She is a complex character with needs and desires overlooked by her husband. Feeling she is the object of Thomas' interest makes her see him in a more romantic way. Michael Caine is always a welcome presence in any film where he decides to appear. Helmut Berger's Thomas practically derail the picture. Maybe another actor would have been more credible than him. Kate Nelligan is totally wasted, even though she has top billing.
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