...and if you understand and agree with that statement, you're going to want to add a star to my rating; if not, you may need to see a few more of Fiennes' films from 1998. That was the year Fiennes was seen in this semi-charming romantic trifle, the costume epic ELIZABETH (as Robert Dudley with whom the title character had a complex relationship) and as the title character in the rare but deserving comedic Oscar winner, SH*KESPEARE IN LOVE (which also won Oscars for Gweneth Paltrow, his leading lady and Judy Dench as an older Queen Elizabeth - but then "new kid on the block" Fiennes wasn't even nominated).
The pace of THE VERY THOUGHT OF YOU - or, as it was originally called, "Martha - Meet Frank, Daniel and Laurence" (which can't quite decide if it's a "buddy film" or a romantic comedy) will drive some viewers up the wall, but those who stick with it for the joy of the contrasting boy/men buddies circling around the charming "Martha" and structure will be rewarded with a pat ending which is the very definition of a sure fire "date movie" - then go back and have a look at the hilarious WHAT'S UP DOC? that they stole it from.
The key to both the movie's success and failure is probably the casting of the four putative leads. "Martha," the film's "McGuffin" around which the thin plot turns is a generic blonde pixie indistinguishable from half a dozen delightful others, in this case Monica Potter, whose only problem is that there are too many other talented actresses just like her. The three best friends she meets and entrances are, in order, the blond, wealthy but shallow Daniel (Tom Hollander - more people probably saw him that year in support in the gay themed BEDROOMS AND HALLWAYS), author of the grand romantic gesture she will copy before the film's over, the struggling, competitive actor Frank (Rufus Sewell - a Tony nominee on Broadway for Tom Stoppard's ROCK & ROLL, here doing a remarkable imitation of a young Ian McShane!) and the insecure intellectual bridge instructor Lawrence (Fiennes). You'll know 30 seconds after she meets him who Martha's going to wind up with, but if the ride is worth the trip (the flashback in the psychiatrist's office structure is a television oldie but goodie) the audience will come away happy.
Nothing terribly original here, but once it gets rolling the actors are fun to be with. Limited pleasures, but real. Worth taking a chance. I'd be willing to bet anything with Fiennes would be; even in a minor piece like this, this is a star persona that demands attention.
The pace of THE VERY THOUGHT OF YOU - or, as it was originally called, "Martha - Meet Frank, Daniel and Laurence" (which can't quite decide if it's a "buddy film" or a romantic comedy) will drive some viewers up the wall, but those who stick with it for the joy of the contrasting boy/men buddies circling around the charming "Martha" and structure will be rewarded with a pat ending which is the very definition of a sure fire "date movie" - then go back and have a look at the hilarious WHAT'S UP DOC? that they stole it from.
The key to both the movie's success and failure is probably the casting of the four putative leads. "Martha," the film's "McGuffin" around which the thin plot turns is a generic blonde pixie indistinguishable from half a dozen delightful others, in this case Monica Potter, whose only problem is that there are too many other talented actresses just like her. The three best friends she meets and entrances are, in order, the blond, wealthy but shallow Daniel (Tom Hollander - more people probably saw him that year in support in the gay themed BEDROOMS AND HALLWAYS), author of the grand romantic gesture she will copy before the film's over, the struggling, competitive actor Frank (Rufus Sewell - a Tony nominee on Broadway for Tom Stoppard's ROCK & ROLL, here doing a remarkable imitation of a young Ian McShane!) and the insecure intellectual bridge instructor Lawrence (Fiennes). You'll know 30 seconds after she meets him who Martha's going to wind up with, but if the ride is worth the trip (the flashback in the psychiatrist's office structure is a television oldie but goodie) the audience will come away happy.
Nothing terribly original here, but once it gets rolling the actors are fun to be with. Limited pleasures, but real. Worth taking a chance. I'd be willing to bet anything with Fiennes would be; even in a minor piece like this, this is a star persona that demands attention.