I remember seeing this version of Alice in Wonderland as quite a young child (around six) and thought that it was fantastic. Having passed the 20 mark, I decided to look at it again, and I regret doing so. Not that it tarnished any sentimental childhood memories; I honestly felt that I wasted my time. Aside from perhaps some cheap direct-to-video animated versions, this probably ranks as the worst adaptation of "Alice in Wonderland" I have ever seen. It comes across like some blind attempt at creating a latter-day "Wizard of Oz" or "Mary Poppins", and it completely fails.
It at least annoys me that they didn't get a British Alice, but some cutesy American girl. Even Walt Disney, king of Americanisation, understood that Alice should be portrayed by a British actress. A contrived attempt at depicting Alice's nationality comes from a single framed picture of Queen Victoria hanging up on the wall in her house at the beginning.
In any case, the story progresses in the traditional manner: a girl named Alice follows a white rabbit down a mysterious hole and into a strange fantasyland home to the Mad Hatter, the Queen of Hearts and other funnies. "Through the Looking Glass" is also featured, linked to the Wonderland sections by an encounter with the Jabberwock. With practically all the characters invented by Carroll appearing, many of them often ignored by other filmmakers, you might be mistaken for thinking that, despite an American Alice, this adaptation is pretty faithful. This is hardly the case, however, as the tone of the original is alarmingly distorted.
Anybody who is familiar with Lewis Carroll's original books will remember "Alice in Wonderland" being anarchic, rarely sentimental in the traditional sense and above all means not didactic. Equally, the best adaptations, from the 1966 BBC film to theDisney classic, don't necessarily follow the original narrative completely; they instead re-interpret the material but stay true to the overall tone to achieve their own filmic equivalent. This version of "Alice in Wonderland", however, comes across more as a wannabe "Wizard of Oz" intent, and tones down the original's anarchy into a moralising story about Alice growing up so that she can have tea with the grown-ups. The characters, many of them sadly played by a good number of normally talented actors and actresses, will suddenly jump from acting somewhat akin to the grotesque verse-reciting loonies of Carroll into behaving like creations bent on teaching how Alice can mature. Moreover, they usually do so through horrible songs. The use of the Jabberwock as a personification of Alice's childhood fears is equally as stupid, as is the constant use of artificial thrill moments and cheesy science-fiction sound effects.
In fact, the production values on the whole are pretty dire. The sets seem lifeless and go overboard on fake plants. Most of the costumes look like they were hired from a fancy-dress shop, and, some of them look like they were made by six-year olds. For example, the Jabberwock looks like he's made of latex, and the oysters from "The Walrus and the Carpenter" look like people who got stuck in beach party props.
I understand that there are thousands of Americans out there who adore this version on the grounds of nostalgia, and by no means am I trying to wreck their childhood memories by trashing this film. However, as far as everyone else is concerned, I'd say that it's best worth avoiding. From every point of view, it's well and truly a bad, tacky, dated piece of fluff.
It at least annoys me that they didn't get a British Alice, but some cutesy American girl. Even Walt Disney, king of Americanisation, understood that Alice should be portrayed by a British actress. A contrived attempt at depicting Alice's nationality comes from a single framed picture of Queen Victoria hanging up on the wall in her house at the beginning.
In any case, the story progresses in the traditional manner: a girl named Alice follows a white rabbit down a mysterious hole and into a strange fantasyland home to the Mad Hatter, the Queen of Hearts and other funnies. "Through the Looking Glass" is also featured, linked to the Wonderland sections by an encounter with the Jabberwock. With practically all the characters invented by Carroll appearing, many of them often ignored by other filmmakers, you might be mistaken for thinking that, despite an American Alice, this adaptation is pretty faithful. This is hardly the case, however, as the tone of the original is alarmingly distorted.
Anybody who is familiar with Lewis Carroll's original books will remember "Alice in Wonderland" being anarchic, rarely sentimental in the traditional sense and above all means not didactic. Equally, the best adaptations, from the 1966 BBC film to theDisney classic, don't necessarily follow the original narrative completely; they instead re-interpret the material but stay true to the overall tone to achieve their own filmic equivalent. This version of "Alice in Wonderland", however, comes across more as a wannabe "Wizard of Oz" intent, and tones down the original's anarchy into a moralising story about Alice growing up so that she can have tea with the grown-ups. The characters, many of them sadly played by a good number of normally talented actors and actresses, will suddenly jump from acting somewhat akin to the grotesque verse-reciting loonies of Carroll into behaving like creations bent on teaching how Alice can mature. Moreover, they usually do so through horrible songs. The use of the Jabberwock as a personification of Alice's childhood fears is equally as stupid, as is the constant use of artificial thrill moments and cheesy science-fiction sound effects.
In fact, the production values on the whole are pretty dire. The sets seem lifeless and go overboard on fake plants. Most of the costumes look like they were hired from a fancy-dress shop, and, some of them look like they were made by six-year olds. For example, the Jabberwock looks like he's made of latex, and the oysters from "The Walrus and the Carpenter" look like people who got stuck in beach party props.
I understand that there are thousands of Americans out there who adore this version on the grounds of nostalgia, and by no means am I trying to wreck their childhood memories by trashing this film. However, as far as everyone else is concerned, I'd say that it's best worth avoiding. From every point of view, it's well and truly a bad, tacky, dated piece of fluff.