8/10
Norman the Great in Nostalgic Look at Early Burlesque
25 August 2012
An affectionate look at early burlesque, "The Night They Raided Minsky's" is at once nostalgic and funny. Grainy black-and-white footage of street life on New York's Lower East Side fades into color; a dapper Bert Lahr, an authentic vaudevillian from the period, strides past pushcarts laden with produce; a chorus line of over-painted, over-ripe ladies kick their legs in unison to the applause of a motley male audience. The atmosphere reeks of authenticity and the producer's love of the subject. The script by Arnold Shulman and Norman Lear revolves around a scheme to embarrass the local morals guardian into raiding the performance of a mythical Madame Fifi, who reputedly drove a million Frenchmen wild. When Madame Fifi appears, she would be an innocent Amish girl dancing scenes from the Bible. Combine some romantic entanglements and an expiring theatrical lease, stir with lots of slapstick and corny jokes, and serve with excellent performances: presto, the recipe for a breezy entertaining movie.

The lovable and endearing Norman Wisdom is the primary scene-stealer, whether mooning over a girl, doing pratfalls on stage, or trading barbs with Jason Robards. Unfortunately, many of Wisdom's scenes with Bert Lahr were cut when the Cowardly Lion died during production. If the lost footage were found, Wisdom fans would welcome its restoration as a supplement to a future DVD release. Another scene-stealer is Joseph Wiseman, who, as the elder Minsky, delivers some of the movie's best lines with pitch-perfect precision. Lovely Britt Eklund is naive perfection as the talent-less Amish girl, Denholm Elliott makes an excellent puckered prude, Harry Andrews fumes as the stern Amish father, and Elliott Gould as the younger Minsky and Forrest Tucker as a smooth gangster fill out the capable cast. Only the caddish Jason Robards seems out of place; while his comic delivery is good, his mistreatment of the likable Wisdom comes across as harsh, and he has an unconvincing character shift that has necks snapping in disbelief.

William Friedkin directs with a fast pace and uses rapid-editing techniques that keep the movie moving at a good clip. The fine photography by Andrew Laszlo captures the period, and the memorable music by Charles Strouse is engaging. "The Night They Raided Minsky's" seems to have been undeservedly forgotten. If the film had been a hit and Lahr had not passed away, Norman Wisdom would have gone on to a successful career in the United States. Unfortunately, events worked against the multi-talented Wisdom and, except for his Broadway role in "Walking Happy," his major work was done in Britain, where his legacy is a national treasure. Perhaps those who appreciate Norman's comic genius in this film will locate his British films from the 1950's and 60's and discover a talent unfairly overlooked in this country.
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