Autumn Sonata was a movie that did move me a lot, but I'd hesitate in calling it one of Ingmar Bergman's best. I did find The Seventh Seal, Wild Strawberries, Fanny and Alexander, Cries and Whispers and Persona even better. This said, apart from an occasional over-load of speeches that come across as too theatrical, Autumn Sonata is still a remarkably good film. As ever with Bergman, it is wonderfully photographed(by none other than Sven Nykvist) and directed, and it has some lovely scenery too. The music is beautiful and haunting, I have to say as a life-long fan of classical music that the use of the Chopin prelude is one of the finest uses of classical music in film to me. The script is mostly thought-provoking and the story, which is essentially a study of guarded emotion, resentment and regret, has the Bergman darkness and harrowing moments like with the sister with the horrible degenerative disease and the drowned toddler. Charlotte's selfishness is also very powerfully conveyed as is Eva's sense of resentment, while the scene that moved me most was the two at the piano. Both leading ladies are outstanding, Ingrid Bergman's elegant but somewhat faded beauty is ideal for the selfishness of her character, but I was even more impressed by Liv Ullman, who has such intensity in her eyes and facial expressions. All in all, powerful and moving, and while it is not one of my favourites from Bergman it is still highly recommendable. 9/10 Bethany Cox
Review of Autumn Sonata
