This low-budget terror motion picture deals with a group formed by a four-man commando squad who run into a pack of natives terrorizing island of Papua . After a chemical leak at the Hope Centre in New Guinea , an enterprise devoted to feeding underdeveloped countries, turns its staff into flesh-eating zombies , there a special force led by Mike London (Jose Gras 0r Robert O'Neil) are sent to investigate it . They run into a TV news crew led by celebrity journalist (Evelyn Newton) , who are after the same news . As a female reporter and her cameraman boyfriend team up with a four-man commando unit in the New Guinea jungle whom are fighting flesh-eating zombies . Then , the group discovers that the entire country has been overrun by zombies .
Gory, gruesome , pretty repellent , and ghastly cannibal feast in which the stumbling flesh-eating stiffs and can be only destroyed by fire in the head . Unrelenting shock-feast plenty of disturbing images laced with brief touches of black humor . Army of Zombies appearance roaming the countryside , village and some people besieged inside a mansion and a factory deliver the goods , enough to be interesting . Bruno Mattei's main great success is regularly directed with startling visual content and acceptable production by Jose Maria Cunilles , also producing to Mattei and Fragasso a pair of "spaghetti westerns" titled ¨Scalps¨ and ¨Apache Kid¨ ; furthermore special mention to filthy make-up by the craftsman Giuseppe Ferranti. In the first draft, Claudio Fragasso had followed the idea of an entire Third World made up of an army of zombies against whom the armed forces of the industrialized nations would have had to fight. However, the script had to be altered considerably due to budget limitations. This frightening movie is plenty of thrills , chills, body-count executed by the eerie Zombies and photographed in pallid color with lurid images and passable results . Stock footage from the film Nuova Guinea, l'Isola Dei Cannibali was used for the native scenes , it has been recently re-released on DVD as The Real Cannibal Holocaust. This is an ordinary excruciatingly Zombie film where the intrigue , tension , suspense appears threatening and lurking in the sunny outdoors and every room , and corridors from a house , a shack , a native hamlet , jungle and many other places . At the time considered the plus ultra of thoroughly disturbing movie is less stomach-churning by nowadays's standards, yet its fundamental power to thrill remains undiminished. This genuinely frightening story with correct utilization of images-shock is professionally photographed by John Cabrera on location in Barcelona , Catolonia , Spain . Using yet another alias, "Vincent Dawn", Mattei middlingly directed this "Hell of the Living Dead" or ¨Virus¨ , a low-budged zombie picture inspired by other zombie cannibal movies such as Zombi (1978) and Lucio Fulci's Zombie 2 (1979). "Virus" was filmed in Spain and used jungle footage from New Guinea and a patch soundtrack from Goblins "Dawn of the Dead" soundtrack, which was a minor hit in Italy and abroad . ClaudioFragasso, the writer of the screenplay, also directed one half of the movie, he said in an interview .
Mattei directed all kind of genres in low budget and exploitation pictures . He eventually had more pseudonyms than any working director in the world. He returned to editing before making another comeback in 1976 with two low-budget Nazi exploitation films, "Women's Camp 119" and "SS Girls"(1977) . Mattei followed these taboo-breaking films with excursions into porno films and Mondo "shockumentaries", all directed under his many pseudonyms, concentrating on "shock value" with films such as Mondo erotic (1973) and "Libiodomania" . Always on the lookout for new exploitation avenues, Mattei followed with "nunsploitation", with the soft-core sex film La Monaca di Monza (1980) and the violent sex thriller "Guardian of Hell" (1981). Both films involved a partnership with writer/director Claudio Fragasso, who helped him write and direct the back-to-back productions . After directing two women's prison films starring Laura Gemser , Mattei moved to directing sword-and-sorcery flicks , starting with I Sette Magnifici Gadiatori (1983). Both Mattei and Fragasso collaborated on the Sci-Fi/horror flick "Rats " (1984), inspired by the futuristic movies of the early 1980s . Mattei considers this his best work, despite his still having to work with a very low budget. He worked relentlessly through the 1980s, some action flicks and about half of Zombi 3 (1988) after Lucio Fulci was taken off the production, though Mattei was not credited with it.
Rating"Hell of the Living Dead" or "Night of the Zombies" : Passable , this is one more revolting , foul Zombie horror pictures in which the camera stalks in sinister style . It's just one long unrelenting cannibal feast and average budget terror movie that still packs a punch for those who like to be terrorized out their wits.
Gory, gruesome , pretty repellent , and ghastly cannibal feast in which the stumbling flesh-eating stiffs and can be only destroyed by fire in the head . Unrelenting shock-feast plenty of disturbing images laced with brief touches of black humor . Army of Zombies appearance roaming the countryside , village and some people besieged inside a mansion and a factory deliver the goods , enough to be interesting . Bruno Mattei's main great success is regularly directed with startling visual content and acceptable production by Jose Maria Cunilles , also producing to Mattei and Fragasso a pair of "spaghetti westerns" titled ¨Scalps¨ and ¨Apache Kid¨ ; furthermore special mention to filthy make-up by the craftsman Giuseppe Ferranti. In the first draft, Claudio Fragasso had followed the idea of an entire Third World made up of an army of zombies against whom the armed forces of the industrialized nations would have had to fight. However, the script had to be altered considerably due to budget limitations. This frightening movie is plenty of thrills , chills, body-count executed by the eerie Zombies and photographed in pallid color with lurid images and passable results . Stock footage from the film Nuova Guinea, l'Isola Dei Cannibali was used for the native scenes , it has been recently re-released on DVD as The Real Cannibal Holocaust. This is an ordinary excruciatingly Zombie film where the intrigue , tension , suspense appears threatening and lurking in the sunny outdoors and every room , and corridors from a house , a shack , a native hamlet , jungle and many other places . At the time considered the plus ultra of thoroughly disturbing movie is less stomach-churning by nowadays's standards, yet its fundamental power to thrill remains undiminished. This genuinely frightening story with correct utilization of images-shock is professionally photographed by John Cabrera on location in Barcelona , Catolonia , Spain . Using yet another alias, "Vincent Dawn", Mattei middlingly directed this "Hell of the Living Dead" or ¨Virus¨ , a low-budged zombie picture inspired by other zombie cannibal movies such as Zombi (1978) and Lucio Fulci's Zombie 2 (1979). "Virus" was filmed in Spain and used jungle footage from New Guinea and a patch soundtrack from Goblins "Dawn of the Dead" soundtrack, which was a minor hit in Italy and abroad . ClaudioFragasso, the writer of the screenplay, also directed one half of the movie, he said in an interview .
Mattei directed all kind of genres in low budget and exploitation pictures . He eventually had more pseudonyms than any working director in the world. He returned to editing before making another comeback in 1976 with two low-budget Nazi exploitation films, "Women's Camp 119" and "SS Girls"(1977) . Mattei followed these taboo-breaking films with excursions into porno films and Mondo "shockumentaries", all directed under his many pseudonyms, concentrating on "shock value" with films such as Mondo erotic (1973) and "Libiodomania" . Always on the lookout for new exploitation avenues, Mattei followed with "nunsploitation", with the soft-core sex film La Monaca di Monza (1980) and the violent sex thriller "Guardian of Hell" (1981). Both films involved a partnership with writer/director Claudio Fragasso, who helped him write and direct the back-to-back productions . After directing two women's prison films starring Laura Gemser , Mattei moved to directing sword-and-sorcery flicks , starting with I Sette Magnifici Gadiatori (1983). Both Mattei and Fragasso collaborated on the Sci-Fi/horror flick "Rats " (1984), inspired by the futuristic movies of the early 1980s . Mattei considers this his best work, despite his still having to work with a very low budget. He worked relentlessly through the 1980s, some action flicks and about half of Zombi 3 (1988) after Lucio Fulci was taken off the production, though Mattei was not credited with it.
Rating"Hell of the Living Dead" or "Night of the Zombies" : Passable , this is one more revolting , foul Zombie horror pictures in which the camera stalks in sinister style . It's just one long unrelenting cannibal feast and average budget terror movie that still packs a punch for those who like to be terrorized out their wits.