I find that the films of Jean-Luc Godard rarely speak to me, but they do, such as Pierrot Le Fou, it really hits hard. Perhaps he's most effective when he talks about cinema itself. While Pierrot is most profoundly interesting through its debate about the arts, Tout Va Bien immediately addresses its own existence in its opening scene. It analyzes premise, storytelling, filmmaking and how they got the film made with how it cast two major stars in the lead roles. It's fascinatingly direct, almost confessional. With this abrasive and confrontational style in mind it charges full throttle into its politics of the French revolution in the late 60s as the lower and middle classes rebel against capitalism. While sometimes it can be a little too on-the-nose with its arguments as characters talk to the audience, Godard's point is undeniable and its very well demonstrated through the style. The highlight of the film is definitely the use of sets and colour. I love the stage-like sets where you can see into two floors and a dozen rooms. It categorizes the drama in a cartoonish way that satirizes the politics brilliantly while still retaining their power. Although this argument does interrupt the initial contrived story, it jumps back into it seamlessly making it work for the characters in an unexpectedly emotional way. Tout Va Bien is an incredible film and one of Godard's finest efforts. It lived up to my expectations and more.
9/10
9/10