What happened that mayday at Marma. The shooting by the military. Five people shot, one of them, a woman, looking. Strike and demonstration was a common and daily event. What was not common and by no means normal where the dead and the wounded. Done by military, ordered from Stockholm. This tragic event transformed Bo Widerberg to a romantic movie. Martin, fishing with his father (Bo Widerbergs son)for the family's strike-supper. Martins older brother Kjell is taught by the wife of the local sawmills manager upper-class knowledge, pronouncing properly 'Renoir'. Enters: the managers daughter Anna for her summer school holiday and her summer love with Kjell, followed by pregnancy and abortion in Stockholm. It is romantic to explore a working-class-girls nudity, romantic to catch fish with a self made fishing rod for supper - also the handling of the imported strikebreakers to secure the deliverance of the American order, forced by the stock exchange. The local police gets help of the army from Stockholm to protect the strikebreakers. These events are good examples what happens when the point of no return is passed, unable to return upwards. When the last possibilities to turn has passed other laws are sett free. It is this what happened at Marma and the movie highlights. Symbolic and symptomatically is Kjell hypnotizing and the slow undressing of the working class girl. In this individual moment breaks his friend, called to take his part of the undressed local class moment. The factories whistles start blowing. One after the other. In concert. The call for general strike beyond Marma. Kjell handles one of the the whistles. Shortly before has Annas father, himself having not known, told Kjell of Annas pregnancy and the abortion in Stockholm. The movie ends that Kjell says to a strike guard that the alternative to strike must be education and knowledge for the working class (Bo Widerberg repeats this in his last movie 'All things fair', 1995. The movie ends that Stig, he has an affair with his teacher, takes with him the dictionaries from her desk, the symbol for knowledge. Bo Widerbergs son plays Stig: "The celebration in church of the schools years with the distribution of the certificates. The teacher in the place of the priest in front of the altar, calling the name/s of the pupil/s. Stig in his weekdays outfit enters, approaching her. We see only parts of his obscene gestures in front of his paralyzed teacher, Viola. He leaves the church, heading for the school. The doors are locked, entering as the working class boy he is by the cellar. He forces the classrooms door and takes the books. The books, the symbol for knowledge that always belonged to the ruling class. The last scene: above the schools entrance are carved in stone the sentence: Fear of the Lord is the Beginning of Wisdom. In two bags he carries the books: the wisdom that now belongs even to him, the working class Their relation was a wisdom-encounter and a time limited human encounter. It ended when Stig befriended with her husband. Stig is played by the editors/directors son. Some parts are autobiographic.", from my review. 'All things fair', 1995 - 'Ådalen 31, 1969. The same questions by a director, himself being born by working-class-parents. Not the knowledge of the upper class, not to pronounce correct the french word Renoir. The proletarian-knowledge, Their own. Concepted and developed by and for them. One example is the Swedish working class writer Ivar Lo-Johanssons books. As example Troeskel/Threshold; witnessing from his window in Stockholm, the demonstration some days after Marma and how police and military forces acted. It is not to pronounce correct 'Renoir', expressing wisdom, owned and controlled by the upper class. It is to be part of and share knowledge. Accepting an respecting the question to which class you and I belong. In focus Kjell and Annas and by the upper class aborted child. Upper and lower class and this aborted child that belonged neither to them up there or them down here. But both: the linking bridge. But the upper class has, as truth, no interest and the low class accepts this. These thoughts for the social democratic Bo Johansson, Sweden, one of the mourners, having been at their grave.
Review of Adalen 31
