The narration alternates between scenes from the past and from the present, and one can't say this choice turned out to be quite pertinent because if/while the passages revolving around Sarah are relatively interesting, especially the beginning and the rafle du Vel d'Hiv in fact, Kristin Scott Thomas' investigation isn't at all, which induces an extremely bad dynamic because every scene somewhat interesting is followed by a rather boring one.
Anyway, the scenario as a whole isn't refined at all and a clear superficiality emerges from the movie, which doesn't convince at all. Even the actors' performances are bland, unimpressive, like the story. Elle s'appelait Sarah won't go down in the records, especially since the holocaust has been the subject of other better productions.
Anyway, the scenario as a whole isn't refined at all and a clear superficiality emerges from the movie, which doesn't convince at all. Even the actors' performances are bland, unimpressive, like the story. Elle s'appelait Sarah won't go down in the records, especially since the holocaust has been the subject of other better productions.