King of Kings (1961)
8/10
Uneven but when it's good it's very good, fantastic in some cases
18 April 2014
There is a lot of great talent here in King of Kings and on the most part it is well-used. King of Kings does have some unevenness, with the Barabbas and Herod subplots taking too much time and there should have been more of Jesus. There are a few performances that didn't quite do it for me, Frank Thring and Harry Guardino go overboard in the hammy camp department as Herod Antipas and Barabbas and Royal Dano has some very awkward, emotionless dialogue delivery that was suggestive of him not knowing what to do with it. A lot of King of Kings is very good though, Robert Ryan is subdued at times but is a charismatic John the Baptist, Rip Torn is a moving Judas, Hurd Hatfield plays Pontious Pilate with authority and Brigid Bazlen's Salome is sexy and wicked. The film is intelligently scripted and directed with skill by Nicholas Ray who knows how to do majestic spectacle and character relationships, there's proof of knowing how to balance the two as well. The story sustains its running time very well, and while not completely successful with the aforementioned distracting subplots but the Dance of the Seven Veils, the Last Supper and Gethsemane scenes are very well done. Jesus' relationships with the apostles and his mother are believably portrayed too. Jeffrey Hunter is surprisingly excellent, the quiet dignity he brings is perfect for Jesus and his eyes communicate so much. There are several fantastic things too, the best asset being Miklos Rozsa's score which is just marvellous and essentially IS the film. Rozsa was a truly great film composer with some equally great scores under his belt, and he provides some majestic and beautiful moments, the hauntingly beautiful yet uplifting scoring in the ending scene in my mind is some of the best he ever did. The ending honestly left me floored, it should be emotional and it was, devastating even and the score has a lot to do with it. Orson Welles' narration, which added a lot to the story actually, is distinctive and understatedly powerful, and the film is very lavishly mounted in detail and scope with the cinematography just as sumptuous. Overall, King of Kings is far from perfect with the story needing more balance and a few performances underwhelmed but there are a lot of good things, with Hunter, the ending, the production values, Welles' narration and the music especially working. 7.5/10 Bethany Cox
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