One may like or not Ozpetek's movies, but what is undeniable is that peculiar delicate touch which makes his movies like paintings only sketched and never accomplished, because accomplishment is not what really matters. This does mean his movies are ethereal or lack sense or reality: on the contrary, they are imbued with reality, often with dramatic reality, and "Allacciate le cinture" is a fine example, but what remains is not the sense of drama, but the delicacy of sentiments. In this picture you will not find an original plot, but I have never seen the theme of cancer treated with such strong sense of reality and at the same time with such delicacy and even fun, focusing on a choral world of fear, love, rage, tenderness, amusement
Shooting is always very carefully devised as to close up to the characters' eyes, without the need of too many words, and everything is wrapped around a bright light, enveloping characters and situations in a comforting hug. The cast is also wisely chosen, I was positively surprised by Kasia Smutniak, who leaves the mark, beyond her disarming beauty. And then there's a whole world of recurring characters in his movies, but who touches for intensity and bravura is Paola Minaccioni, who made me laugh and cry so much
I have read negative reviews concerning a melodramatic attitude of the picture: I think melodrama is exactly what Ozpetek avoids, and successfully.
Review of Fasten Your Seatbelts
