Wonderful surreal comedy of Dutch (bad) manners, with superb playing through the entire cast of eccentrics, misfits and lunatics. Olga Zuiderhoek is excellent as the implacably doting mother Duif, obsessed with fertility and sabotaging all her husband's schemes to get their son Abel to lead a "normal" life. But the film is made by Henri Garcin as (the possibly ironically named) husband Victor, whose descent into madness is delightfully reminiscent of Herbert Lom's Inspector Dreyfus.
Only Annet Malherbe's Zus lets the side down, passive and accepting of her place on her admirers' pedestals, more cipher than Circe. Maybe her line that "all women like to be watched" seemed profound thirty years ago; not so much now.
Only Annet Malherbe's Zus lets the side down, passive and accepting of her place on her admirers' pedestals, more cipher than Circe. Maybe her line that "all women like to be watched" seemed profound thirty years ago; not so much now.