Unlike the classic biblical masterpieces of Technicolor days, "The Ten Commandments", "Samson and Delilah", "Sodom and Gomorrah", etc, this biblical film is not about the power and wrath of God. Instead, it's a very intimate story of a man's fall from grace and how he tries to find it again.
While it can be approached literally as the story of King David's sins which brought drought, death and pestilence upon Israel, it is truly a secular story of a man who has lost his boyhood innocence. The power of the film rests in Gregory Peck's hypnotizing performance toward the end when, having hit rock bottom, he must answer for his life.
Whatever religion you subscribe to, or none at all, this is such a powerful human theme because inevitably we all lose our way. Peck plays King David as a sort of religious skeptic, always investigating the scientific explanation behind supposedly supernatural events. And that diffuses the "biblical" aspect of the film so that we may enjoy it on any level.
ABOUT THE PLOT... If you've studied the Bible, then you probably know the story and how it turns out. But if you're totally ignorant of the tale like I was, then I guarantee you'll have a great time. The suspense of not knowing how this volatile situation will play out is breathtaking. With that in mind, I won't say a thing about the plot, and I suggest you avoid any discussion of it. All you need to know is it's about 2 people named David and Bathsheba.
About acting, technique and music. Very nice with only 1 minor complaint. In keeping with the times (1951) this can be a melodramatic film, and by that I point the finger at the music. Certain powerful, dramatic scenes are made a little syrupy with the characteristic lush Hollywood symphonic music of the Technicolor age. However, there are a few amazing scenes where Gregory Peck delivers his monologues in absolute silence, with a tight, stationary camera on his face, and those are the aforementioned scenes that are so strong they'll bring a tear to your eye.
Directed by Henry King who, despite his masterpieces, never won an academy award in his 50 year career, "David and Bathsheba" is so impressive it makes me want to immediately run to the video store and check out his other films, particularly those he made with his favorite leading man Gregory Peck ("Twelve O'Clock High", "Snows of Kilimanjaro", etc). Susan Hayward did a great job, too. But this is really Peck's film, and King wasn't shy about using Peck to the fullest. Don't hesitate to see this film if you ever get the chance.
While it can be approached literally as the story of King David's sins which brought drought, death and pestilence upon Israel, it is truly a secular story of a man who has lost his boyhood innocence. The power of the film rests in Gregory Peck's hypnotizing performance toward the end when, having hit rock bottom, he must answer for his life.
Whatever religion you subscribe to, or none at all, this is such a powerful human theme because inevitably we all lose our way. Peck plays King David as a sort of religious skeptic, always investigating the scientific explanation behind supposedly supernatural events. And that diffuses the "biblical" aspect of the film so that we may enjoy it on any level.
ABOUT THE PLOT... If you've studied the Bible, then you probably know the story and how it turns out. But if you're totally ignorant of the tale like I was, then I guarantee you'll have a great time. The suspense of not knowing how this volatile situation will play out is breathtaking. With that in mind, I won't say a thing about the plot, and I suggest you avoid any discussion of it. All you need to know is it's about 2 people named David and Bathsheba.
About acting, technique and music. Very nice with only 1 minor complaint. In keeping with the times (1951) this can be a melodramatic film, and by that I point the finger at the music. Certain powerful, dramatic scenes are made a little syrupy with the characteristic lush Hollywood symphonic music of the Technicolor age. However, there are a few amazing scenes where Gregory Peck delivers his monologues in absolute silence, with a tight, stationary camera on his face, and those are the aforementioned scenes that are so strong they'll bring a tear to your eye.
Directed by Henry King who, despite his masterpieces, never won an academy award in his 50 year career, "David and Bathsheba" is so impressive it makes me want to immediately run to the video store and check out his other films, particularly those he made with his favorite leading man Gregory Peck ("Twelve O'Clock High", "Snows of Kilimanjaro", etc). Susan Hayward did a great job, too. But this is really Peck's film, and King wasn't shy about using Peck to the fullest. Don't hesitate to see this film if you ever get the chance.