I was prepared to hate QoS just thanks to word of mouth: it was the worst/shortest/hardest to follow Bond film with incomprehensible action scenes.I skipped watching it for seven years after it was released. Having finally seen it, I think it's a unique Bond film and probably an experiment that will never be repeated - certainly 'Skyfall' drew back into more familiar Bond territory with a creepy villain planning global destabilisation coupled with a bit of personal revenge.
First, QoS is a direct sequel to its predecessor. In fact, it's the film 'Diamonds are Forever' would/could have been if George Lazenby hadn't torn up his letter of intent, returned his advance fee and given up the role of Bond. 'Diamonds are Forever' would have opened with Bond's wedding and his wife's murder. A very dark, violent tale of personal revenge would have followed. Instead we got a safe mix of humour and a few - very few - thrills. Maybe Lazenby's Bond would have almost ruined his MI6 career and been hounded by his own people and the CIA as he went after Blofeld, who was now being courted by governments for his technological know-how? No, this would have been far too cynical for 1971.
Second, the film actually carries a political message. The villains here don't want to rule the world, they want to control the water supply of an entire continent. Some think this is lame, but it amounts to the same thing. The scenes of villagers desperately trying to catch the last drops of water falling from their old well are actually very moving. The water source finally stops and they leave sadly on the next bus, to who knows what future.
The Quantum organisation doesn't have its own space station, but it can buy individuals, and strong-arm governments into giving them control over natural resources, their sale and distribution. Can't you just hear news headlines trumpeting the "vigorous programme of economic reform" of Bolivia's new government?. Just to rub the message in, there's a clear reference to Venezuela's President Chavez, the "Marxist giving oil money back to the people". The Bond films have never made such an open reference to the contemporary world, or taken such a clear political stand. Only the fact that Quantum seems to be made up of 'rogue' elements rather than actual businessmen makes it fictional.
Finally, the film is genuinely thrilling. You feel Bond really is up against the world, and the world is a very nasty place. Not merely dangerous - nasty. Gemma Arterton's tripping of Greene's henchman seems a typical piece of Bondian humour - until she is found smothered in crude oil ("Her lungs were full of it" says M, although I'm not sure when the autopsy took place!). Much less fun than 'Goldfinger'. And it's worth remembering the Quantum organisation still exists at the end of the film, however shadowy it may be.
Yes, the action scenes are *very* quick and it can be hard to know who's doing what to whom, and while I admired the cutting between the chase and the Siena Palio, for example, I found the same technique confusing in the opera sequence. I loved the film, and I'm looking forward to a Bond double event, watching 'Casino Royale' and QoS back-to-back.
As I said, this comes across as a unique experiment in the Bond canon, and one which will probably never be repeated, but it was worth the effort and I loved it.
First, QoS is a direct sequel to its predecessor. In fact, it's the film 'Diamonds are Forever' would/could have been if George Lazenby hadn't torn up his letter of intent, returned his advance fee and given up the role of Bond. 'Diamonds are Forever' would have opened with Bond's wedding and his wife's murder. A very dark, violent tale of personal revenge would have followed. Instead we got a safe mix of humour and a few - very few - thrills. Maybe Lazenby's Bond would have almost ruined his MI6 career and been hounded by his own people and the CIA as he went after Blofeld, who was now being courted by governments for his technological know-how? No, this would have been far too cynical for 1971.
Second, the film actually carries a political message. The villains here don't want to rule the world, they want to control the water supply of an entire continent. Some think this is lame, but it amounts to the same thing. The scenes of villagers desperately trying to catch the last drops of water falling from their old well are actually very moving. The water source finally stops and they leave sadly on the next bus, to who knows what future.
The Quantum organisation doesn't have its own space station, but it can buy individuals, and strong-arm governments into giving them control over natural resources, their sale and distribution. Can't you just hear news headlines trumpeting the "vigorous programme of economic reform" of Bolivia's new government?. Just to rub the message in, there's a clear reference to Venezuela's President Chavez, the "Marxist giving oil money back to the people". The Bond films have never made such an open reference to the contemporary world, or taken such a clear political stand. Only the fact that Quantum seems to be made up of 'rogue' elements rather than actual businessmen makes it fictional.
Finally, the film is genuinely thrilling. You feel Bond really is up against the world, and the world is a very nasty place. Not merely dangerous - nasty. Gemma Arterton's tripping of Greene's henchman seems a typical piece of Bondian humour - until she is found smothered in crude oil ("Her lungs were full of it" says M, although I'm not sure when the autopsy took place!). Much less fun than 'Goldfinger'. And it's worth remembering the Quantum organisation still exists at the end of the film, however shadowy it may be.
Yes, the action scenes are *very* quick and it can be hard to know who's doing what to whom, and while I admired the cutting between the chase and the Siena Palio, for example, I found the same technique confusing in the opera sequence. I loved the film, and I'm looking forward to a Bond double event, watching 'Casino Royale' and QoS back-to-back.
As I said, this comes across as a unique experiment in the Bond canon, and one which will probably never be repeated, but it was worth the effort and I loved it.