Review of Seconds

Seconds (1966)
8/10
Convincing, noiresque, nightmare of modernity. Superlative camera work and probably Rock Hudson's best performance.
21 February 2015
Just had to add a note of admiration for this greatly overlooked masterpiece of modern angst. I saw it when a student in Glasgow in 1969. That is probably why it has stayed to haunt me - possibly to the grave. Beyond that, I really don't know.

I'm no film critic but like several of the cinema cognoscenti, I was surprised Rock had a movie like this in him. Probably his best. The camera work takes you right in. You don't remember willingly suspending disbelief. It is as plausible and convincing as a good nightmare. Bleak, black and white, terse like John Boorman's Point Blank. Round about the same time as Blow Up appeared. Also a surprisingly mature performance from David Hemmings, matched the mood of powerlessness and fatalism that pervades Seconds.

A little further off it recalled the Incredible Shrinking Man. The same mood of fatalism pervades but from a different perspective. In the latter, the isolated individual is redeemed by some metaphysical union with the universe. In Seconds the isolated, narcissistic self implodes.

John Frankenheimer's modern Frankenstein. Or another parallel universemight be Dorian Grey. It is a multi layered movie.
26 out of 28 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed