This may look like just another Liam Neeson's flick after Taken, understandably so with his usual look and its revenge premise, but worry not, Run All Night has enough substantial material and gritty crime ambiance to entertain. In a more convincing noir set-up, the movie gives Liam Neeson more range on his character, while still keeping his more well-known persona of action star. It justifiably takes more time to establish the premise to ensure this is more than just a random shooting spree.
Jimmy Conlon (Liam Nesson) has been an enforcer for mob boss Shawn Maquire (Ed Harris) for decades. He has done many terrible things, but when his son Michael (Joel Kinnaman) is unfortunately embroiled in the mafia's shady dealings, Jimmy must decide where his loyalty lies. This concept of veteran gunslinger who must fight once more is admittedly used by the recent Equalizer and John Wick, however Run All Night opts for more family issue than flair to create a different yet equally engaging effect.
Acting is pretty well done, action fans must be familiar with Neeson's performance by now. Ed Harris and Joel Kinnaman provide what was missing from Taken series, this is not your average rescue operation. It's a perspective of camaraderie relationship, a strange brother-in-arms dilemma Neeson's character had to deal with both his longtime friend and also his son. Harris is charismatic as always, while Kinnaman from Robocop and The Killing TV series, is splendid as the young son. He looks rugged, but still act upstanding enough for a contrast on the mob life.
The dynamic works in crime or gangster thriller. It also boasts gray visual, akin to 90s mystery movie. This near exclusive darkness is a bit daunting since it may hamper the fast paced action, but it does create the authentic feel of the city and its underlying often neglected lifestyles. The movie knows exactly what it wants to accomplish with its theme and confidently portrays it with the gritty visual.
Pacing is mostly good, although it staggers a bit in midway point. A few scenes feel as though they are a bit glossed over, probably for the sake of pushing the tempo towards the latter halt, these sequences could be explored more. Action is plausible, each fired shot, especially the one that hits, carries more weight. This is not Liam Neeson going Rambo all night, but a meticulous firework show.
Run All Night makes good use of the actors' charisma and the sordid gangster tone in creating a fray from dusk till dawn.
Jimmy Conlon (Liam Nesson) has been an enforcer for mob boss Shawn Maquire (Ed Harris) for decades. He has done many terrible things, but when his son Michael (Joel Kinnaman) is unfortunately embroiled in the mafia's shady dealings, Jimmy must decide where his loyalty lies. This concept of veteran gunslinger who must fight once more is admittedly used by the recent Equalizer and John Wick, however Run All Night opts for more family issue than flair to create a different yet equally engaging effect.
Acting is pretty well done, action fans must be familiar with Neeson's performance by now. Ed Harris and Joel Kinnaman provide what was missing from Taken series, this is not your average rescue operation. It's a perspective of camaraderie relationship, a strange brother-in-arms dilemma Neeson's character had to deal with both his longtime friend and also his son. Harris is charismatic as always, while Kinnaman from Robocop and The Killing TV series, is splendid as the young son. He looks rugged, but still act upstanding enough for a contrast on the mob life.
The dynamic works in crime or gangster thriller. It also boasts gray visual, akin to 90s mystery movie. This near exclusive darkness is a bit daunting since it may hamper the fast paced action, but it does create the authentic feel of the city and its underlying often neglected lifestyles. The movie knows exactly what it wants to accomplish with its theme and confidently portrays it with the gritty visual.
Pacing is mostly good, although it staggers a bit in midway point. A few scenes feel as though they are a bit glossed over, probably for the sake of pushing the tempo towards the latter halt, these sequences could be explored more. Action is plausible, each fired shot, especially the one that hits, carries more weight. This is not Liam Neeson going Rambo all night, but a meticulous firework show.
Run All Night makes good use of the actors' charisma and the sordid gangster tone in creating a fray from dusk till dawn.