The Haughty MGM Studios had to Have it All. Borrowing Abbott and Costello from Universal, because the Comedy Team was a Big Hit, the Studio Managed to Cobble Together a Number of Elements in this Awkward Amalgamation of Opera On a Ranch, and Nazis Out West, and Set A & C Loose Among this Bizarre Combination.
None of it Works. There is an Awful Lot of Awful Singing with Crooners on Horseback and Operatic Scale Sliding. The Comedy Team's Routines are OK and Quite Amusing with Slapstick, Sight Gags, and Word Play.
But the Combination of Bud and Lou with the Other Parts Never Come Together. The Nazi Threat is Hardly Realized, and the Ranch Setting is Never Used for Any Advantage. The Love Interest is Never Interesting and the Only Thing Worth Watching is When Abbot and Costello are On the Screen. Everything Else is Embarrassing at Best and Atrocious at Worst.
None of it Works. There is an Awful Lot of Awful Singing with Crooners on Horseback and Operatic Scale Sliding. The Comedy Team's Routines are OK and Quite Amusing with Slapstick, Sight Gags, and Word Play.
But the Combination of Bud and Lou with the Other Parts Never Come Together. The Nazi Threat is Hardly Realized, and the Ranch Setting is Never Used for Any Advantage. The Love Interest is Never Interesting and the Only Thing Worth Watching is When Abbot and Costello are On the Screen. Everything Else is Embarrassing at Best and Atrocious at Worst.