1/10
Why oh why?....
12 April 2015
Warning: Spoilers
Why do writers need to try to solve age old and virtually unsolvable mysteries with crazy and illogical reasoning? The Edalji case is well known, as is Conan Doyle's part in it, but he certainly didn't turn into Sherlock Holmes, nor did he solve it. Admittedly his involvement brought about the creation of England's Court of Criminal Appeal in 1907, and Edalji was pardoned, and allowed to continue as a solicitor. He was exonerated of the animal slaughter, but not of the poison pen writing. Couldn't the reason for the latter not have been examined further instead of the garbage that was dished up to us? Why fictionalise a case which would have stood up as an acceptable drama in it's own right, without all the added crap.

Modern writers just have to bring in racism and homosexuality into the mix even though in this particular case there was a suspicion of both. Even so, these days it's par for the course. And why try to make Conan Doyle into a Sherlock Holmes at all? Or even as some sort of a Dr Watson as happened in "The Murder Rooms". Will we next have a sprightly Agatha Christie as a young heroine solving the Oscar Slater case, the Maybrick Murder, or even perhaps the Whitechapel murders? If writers are so hooked up on writing about crimes, why can't they make up their own mysteries instead of resorting to something which is far better done in documentary fashion. Indeed the story of this case was done on BBC radio not long ago and with much better effect without any so-called solution added...not even a 7% solution.

I rate this as a big fat zero, but I'll give it one star for the quirky little terrier.
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