Dracula (1974 TV Movie)
6/10
A minor piece of flotsam
30 April 2015
Warning: Spoilers
The problem with Dracula or vampire movies these days is that there are so many of them and each clings to its various qualities (or lack of) so that watching a TV movie from 1974 and expecting it to register positively against this intimidating backdrop is probably too much to burden any single feature with. However, 'Kolchak: The Night Stalker', also a TV movie from 1974, exceeds expectations and still plays well with audiences today. So, when I mentioned to a fellow movie-buff that I had watched this Jack Palance vehicle, he had never heard of it but felt that it must somehow be awesome simply because of Jack's presence. Unfortunately, this does not hold true here and I had to tell him. Written by Richard Matheson, I was expecting something with a bit of a twist. He wrote 'Twilight Zone' episodes, after all! Perhaps my anticipation was not called for here. This is pretty much a straight-up retelling or alternate realization of the basic Bram Stoker character and tale. There are really no surprises unless one would want to call Dracula seeing a photo of a girl who resembles a woman he loved centuries ago and that becomes his raison d'etre for the rest of the film a surprise twist. Actually, that was a fairly common theme in the old TV show 'Dark Shadows'. Well, what a surprise. Old Dan Curtis is at the directorial helm here and is essentially rekindling ideas he has used previously. So, maybe the failure of this movie lies with the director? That is not to say that this movie is terrible. It is not. But as noted, the sheer prevalence of so many really good vampire movies shoves this one into obscurity as demonstrated by my movie-buff friend's complete ignorance of this film's existence. The bright spot in this limp production is Palance's performance. He is really great here. Without him there isn't much point in viewing this, quite frankly. Alas, gone is the vampire that changes into a bat, a wolf (dark German Shepherds, actually), or a cloud of fog. He still sleeps in a coffin by day, though. He can still be deterred by a crucifix and garlic. Thus, some of the reliable Hollywood vampire nuances are still present. Even the sunlight can be hazardous although he doesn't flake away like Christopher Lee. OK. We can deal with that. Yet, the one that is missing that seemed the most annoying is his ability to enter a household or residence without first getting permission to do so. (Handled superbly in 'Let The Right One In') Lugosi's Dracula, at least, schmoozed his way in and socialized providing dreadful anticipation of what is to become. Palance is much more direct and just crashes in. However, Jack does the absolute best with the material and occasionally transforms a couple of instances into very successful terror. Unfortunately, absolutely everyone else in this presentation is nearly instantly forgettable. In addition, one very annoying feature is the lack of detail to the general surroundings. I realize this was a TV movie and a very limited budget. Still, Dracula's 15th century castle's architecture was occasionally too modern and, in fact, sported catacomb arches built from a very modern brick and mortar painted over with lumpy white paint. It looked very much like any number of more recent basement crawlspaces. The outer facade was unconvincing as well looking frequently like some kind of smoothed stucco. The ambiance of the countryside tries to be mysterious but every now and then I halfway expected someone on a little motorbike to come putting through. Also noted previously are the stock German Shepherds substituting for wolves. Yet, should this film be faulted for resorting to this when so many other movies manage to do so and still chill? That is the problem, isn't it. This movie just didn't chill the way it could have. I am giving it a 6 mostly for Palance's performance. Watch for the way he tries to get around the crucifix held in his direction. He paced nervous and restless like a caged lion. Also, see the screaming rages he flies into. Some of those are surprisingly frightening. It is a shame the rest of the film couldn't keep up with Jack's performance.
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