Review of Stereo

Stereo (1969)
6/10
Early Cronenberg film makes for an interesting, but overall frustrating watch
29 June 2015
Warning: Spoilers
Done in a very cold and clinical style, with no direct sound, droning narration that's overloaded with pretentious pseudo-scientific jargon, and great use of a fantastic sprawling location, David Cronenberg's 65-minute debut feature about an experiment on increasing telepathic psychic abilities amongst several volunteer test subjects with unexpected dangerous side effects makes for decidedly rough going, but still manages to impress due to its striking black and white cinematography and a wealth of fascinating ideas that could have benefited from a stronger presentation. The lack of sound proves to be a huge problem, as whole sequences that transpire in total silence are alas positively agonizing to sit through because they seem to go on for an excruciating eternity. Moreover, the glacial pacing certainly doesn't help matters at all while the lack of characterization ensures that the volunteers for the experiment come across more like distant objects than sympathetic human beings. Fortunately, the cast still manage to contribute remarkably expressive pantomime performances as Cronenberg explores his trademark themes of identity, sexuality, and science gone amok. So, it's definitely not top Cronenberg, but nonetheless serves as an intriguing precursor to such latter works as "Shivers" and especially "Scanners."
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