Plot-- A suburban teen causes a community uproar when she fakes a diary entry suggesting she spent a night with a much older man.
I didn't find the movie as bad as many other reviewers. Maybe it's because I don't hold comedy shtick to the same standard of plausibility as, say, crime drama. To me, the main standard of comedy is whether it's funny or not. This one's only mildly so, certainly not enough to fill out and hour and a half. Still, the madcap has its moments—Bobby Ellis as the officious teen newshound, Temple as a winsome 40's youngster, and Tully when he's blowing only half a gasket. And is Corliss's mom (Holden) really Dracula's Daughter (1936) who scared the pants off me many years ago!
Actually, the movie's a pretty good look at teen mores, circa 1949. I hadn't heard the phrase 'breech of promise' for decades, til this film, (deflowering a maiden on the promise of marriage and then reneging). There's also quite a bit of innuendo swirling around the misspent night—more than I would expect. But then that's half the draw, seeing the virginal Temple flirt with adult themes.
All things considered, it was probably wise for Shirley to exit the business since her movie image was so confining and not likely to change, as this 90-minutes shows. (For example, note how her "memory loss" personality mimics her moppet cuteness.) No, the movie's only memorable for being her last. But then, despite the general mediocrity, it does have its moments.
I didn't find the movie as bad as many other reviewers. Maybe it's because I don't hold comedy shtick to the same standard of plausibility as, say, crime drama. To me, the main standard of comedy is whether it's funny or not. This one's only mildly so, certainly not enough to fill out and hour and a half. Still, the madcap has its moments—Bobby Ellis as the officious teen newshound, Temple as a winsome 40's youngster, and Tully when he's blowing only half a gasket. And is Corliss's mom (Holden) really Dracula's Daughter (1936) who scared the pants off me many years ago!
Actually, the movie's a pretty good look at teen mores, circa 1949. I hadn't heard the phrase 'breech of promise' for decades, til this film, (deflowering a maiden on the promise of marriage and then reneging). There's also quite a bit of innuendo swirling around the misspent night—more than I would expect. But then that's half the draw, seeing the virginal Temple flirt with adult themes.
All things considered, it was probably wise for Shirley to exit the business since her movie image was so confining and not likely to change, as this 90-minutes shows. (For example, note how her "memory loss" personality mimics her moppet cuteness.) No, the movie's only memorable for being her last. But then, despite the general mediocrity, it does have its moments.