"Blood Rage" begins with two twin adolescent boys at a drive-in with their mother on a date; the two slink off, and one of them murders a man in his car. Ten years later, the psycho twin is incarcerated in a mental institution. On Thanksgiving, the good twin and his mother go to visit, but find he has escaped. He returns to the woodsy community where his mother lives and begins carving up residents like turkeys.
Let's face it—evil twins are to horror films what pumpkin pie is to Thanksgiving. It just works. "Blood Rage," a little-known slasher filmed in the early 1980s, knows this, and takes full advantage of the trope. The film fell into obscurity and wasn't even released theatrically until 1987; it made it to small theaters and B-movie drive-ins, and all but disappeared. What's interesting is that the film actually offers all of the hallmarks that genre fans love about these films: a holiday setting, corny one-liners, young adults copulating, and some impressive special effects set to a pounding synth score. You'd think the film would have at least garnered a cult following, but the limited availability of it until Arrow Video's 2015 release prevented it from ever really catching on.
The film is admittedly a mess in areas; some of the performances are hammy and the dialogue contrived, while the pacing is certainly bizarre at times, but for a low-budget B slasher film, these are typically taken for granted, and if anything are part of the charm. Louise Lasser spends the majority of the film boozed out screaming into a telephone and eating Thanksgiving leftovers on her kitchen floor, while her good twin boy searches ruthlessly for his unhinged brother. Bodies start piling up, and elaborate gore effects take precedent over plot development at times. The script overall is vaguely sketched and doesn't completely feel rounded out, and the film does suffer from a frankly nonthreatening villain, but the final act is tongue-in-cheek and well handled.
Overall, the film is a nice slice of eighties slasher pie that somehow got left behind. It's not a great film by any means, but it's also not a bad one when pitted against the genre standards. The ending is rather grim, and Lasser's turn as the mentally destroyed mother is hammy, Oedipal, and at times poignant. In many ways, the film reminded me of "Butcher, Baker, Nightmare Maker," another eighties slasher that never really caught on, in both tone and thematics. "Blood Rage" is most definitely worth a look for genre fans, and is a hokey, gory effort if nothing else. 6/10.
Let's face it—evil twins are to horror films what pumpkin pie is to Thanksgiving. It just works. "Blood Rage," a little-known slasher filmed in the early 1980s, knows this, and takes full advantage of the trope. The film fell into obscurity and wasn't even released theatrically until 1987; it made it to small theaters and B-movie drive-ins, and all but disappeared. What's interesting is that the film actually offers all of the hallmarks that genre fans love about these films: a holiday setting, corny one-liners, young adults copulating, and some impressive special effects set to a pounding synth score. You'd think the film would have at least garnered a cult following, but the limited availability of it until Arrow Video's 2015 release prevented it from ever really catching on.
The film is admittedly a mess in areas; some of the performances are hammy and the dialogue contrived, while the pacing is certainly bizarre at times, but for a low-budget B slasher film, these are typically taken for granted, and if anything are part of the charm. Louise Lasser spends the majority of the film boozed out screaming into a telephone and eating Thanksgiving leftovers on her kitchen floor, while her good twin boy searches ruthlessly for his unhinged brother. Bodies start piling up, and elaborate gore effects take precedent over plot development at times. The script overall is vaguely sketched and doesn't completely feel rounded out, and the film does suffer from a frankly nonthreatening villain, but the final act is tongue-in-cheek and well handled.
Overall, the film is a nice slice of eighties slasher pie that somehow got left behind. It's not a great film by any means, but it's also not a bad one when pitted against the genre standards. The ending is rather grim, and Lasser's turn as the mentally destroyed mother is hammy, Oedipal, and at times poignant. In many ways, the film reminded me of "Butcher, Baker, Nightmare Maker," another eighties slasher that never really caught on, in both tone and thematics. "Blood Rage" is most definitely worth a look for genre fans, and is a hokey, gory effort if nothing else. 6/10.