Not the Gena Rowlands movie, but a very different sort of drama, this Chilean film revolves around divorced middle aged woman and her attempts to hold a steady relationship with a divorced theme park owner. Lead actress Paulina García has received much acclaim for her performance and she certainly plays a lady in her fifties as rarely seen on film; she is free-spirited, impulsive and very sexually active. Her desire not to be alone is potent, as is her ambition to go out and meet people every night as she refuses to sit idly by. Sergio Hernández as her new love interest gives the stronger performance though; as a more recent divorcée, he is still adjusting to single life and his reluctance to tell his grown children about his new girlfriend, lest he be called a "silly old man", resonates. His family life is curiously the opposite of hers as his children and ex-wife still heavily rely on him, while García has to remind her kids to call her. Whatever the case, their differences lead to some rifts and what does not balance in the film's favour is how Hernández comes off as the more likable character. García is too ready to blame him for everything that goes wrong, rarely looking inside herself and how she is the cause of some of their problems. Add an awkward, inconclusive ending into the mix and slow pacing throughout, and 'Gloria' becomes a hard film to recommend. Certainly the film has some truths to offer about fears of being alone, the inability to distance oneself from one's family and clinging onto the past, but one's mileage is likely to vary depending on how much one takes to the main character.
