Campfire takes place in Jerusalem in the 1980s, and tells of the Gerliks, an Orthodox family headed by young widow Rachèl (Michaela Eshet), mother of two daughters, young teenager Tami (Hani Furstenberg), a member of the Orthodox Bnèi Akìva youth movement, and Esti (Maya Marón), a few years older. Rachel insists on rebuilding her disintegrating family following the death of her husband and the girls' father. She applies for acceptance to a group founding a settlement in Samaria, but the acceptance committee does not want a single parent. The absence of a man in their lives exposes the Gerliks to ongoing threats and harassment from their own (Orthodox) community, whether in the form of pressure on Rahel from her settler friends to remarry, or in the form of vulgar taunts aimed at Tami by the neighborhood boys, culminating in a rape scene.
But first, we see Rachel coming home from a meeting of her settlement group when she hears sounds in the stairwell. She nears the source of the sounds and through a broken window, sees Esti making out with her boyfriend. Rachel smiles at the sight of her daughter evoking such desire, enters the house, and telephones Yossi (Moshe Ivgy), a suitor, and asks him to accompany her to a settler rally the following day.
In the rape scene, which takes place on Lag BeOmer, Tami – who is in the initial stages of discovering her womanhood and budding sexuality – reluctantly joins her friend Inbál (Dina Senderson) at the "rebels'" or bad boys' bonfire – which they build at a distance from the "goody-goody" bonfire – one of whom, Rafi (Oshri Cohen) Tami has a crush on. At first, they all gather around the fire and tell dirty jokes. After a few of these, Inbal wants to leave as she disapproves of the boys' behavior. She agrees to wait for Tami, who's actually enjoying herself, in a car parked nearby. As soon as Inbal is gone, Ilán (Danny Zahavi), who's on leave from the army, puts his hand on Tami's thigh. She recoils and wants to leave, but he pins her to the ground and tries to kiss her. After a few seconds, he releases her and asks her if she's alright. Frightened and crying, she gets up to leave, when Ilan seizes her from behind, twisting her arm and covering her mouth, and says to his friends, "What?! This is how you treat them (meaning women)!" Their weak protests have no effect, and they move to cheering, "Ta-mi! Ta-mi!" as Ilan forces her to touch his penis.
On a visit of the settler group to the site of their future home on a wind-whipped hilltop, one of the teenage boys corners Tami and tries to get her to confirm the rumors he's heard about what happened to her at the campfire. He tells her, "It's OK. It's natural," hinting to her what awaits her when they're both residing in the same tiny, isolated community. She replies, "What? What's natural?"
Campfire exposes the hypocrisy of the Orthodox community in the film, which denies and silences the rape. Tami tells no one what happened on Lag BeOmer, shutting herself in her room. Rachel, unsettled in the face of her daughter's silence, demands of her fellow community members to investigate what took place that night. Not only do they refuse, but hint that her daughter's behavior invited the boys' actions. Consequently, Rachel decides to leave the settlers' group.
At the end of the movie, we see Rachel, her daughters, and Yossi – now her fiancé – happily riding in the car that belonged to Rachel's deceased husband – which had stood idle since his death – symbolizing the rebirth of the familial patriarchy. Tami's rape, which remains suppressed and unspoken of, is located in the narrative of family melodrama, and its role is dual: It serves to expose and criticize the loss of values and "departure from the path" of the Orthodox community, and at the same time reaffirms the nuclear family and mends the ideological tears in the community's fabric.
But first, we see Rachel coming home from a meeting of her settlement group when she hears sounds in the stairwell. She nears the source of the sounds and through a broken window, sees Esti making out with her boyfriend. Rachel smiles at the sight of her daughter evoking such desire, enters the house, and telephones Yossi (Moshe Ivgy), a suitor, and asks him to accompany her to a settler rally the following day.
In the rape scene, which takes place on Lag BeOmer, Tami – who is in the initial stages of discovering her womanhood and budding sexuality – reluctantly joins her friend Inbál (Dina Senderson) at the "rebels'" or bad boys' bonfire – which they build at a distance from the "goody-goody" bonfire – one of whom, Rafi (Oshri Cohen) Tami has a crush on. At first, they all gather around the fire and tell dirty jokes. After a few of these, Inbal wants to leave as she disapproves of the boys' behavior. She agrees to wait for Tami, who's actually enjoying herself, in a car parked nearby. As soon as Inbal is gone, Ilán (Danny Zahavi), who's on leave from the army, puts his hand on Tami's thigh. She recoils and wants to leave, but he pins her to the ground and tries to kiss her. After a few seconds, he releases her and asks her if she's alright. Frightened and crying, she gets up to leave, when Ilan seizes her from behind, twisting her arm and covering her mouth, and says to his friends, "What?! This is how you treat them (meaning women)!" Their weak protests have no effect, and they move to cheering, "Ta-mi! Ta-mi!" as Ilan forces her to touch his penis.
On a visit of the settler group to the site of their future home on a wind-whipped hilltop, one of the teenage boys corners Tami and tries to get her to confirm the rumors he's heard about what happened to her at the campfire. He tells her, "It's OK. It's natural," hinting to her what awaits her when they're both residing in the same tiny, isolated community. She replies, "What? What's natural?"
Campfire exposes the hypocrisy of the Orthodox community in the film, which denies and silences the rape. Tami tells no one what happened on Lag BeOmer, shutting herself in her room. Rachel, unsettled in the face of her daughter's silence, demands of her fellow community members to investigate what took place that night. Not only do they refuse, but hint that her daughter's behavior invited the boys' actions. Consequently, Rachel decides to leave the settlers' group.
At the end of the movie, we see Rachel, her daughters, and Yossi – now her fiancé – happily riding in the car that belonged to Rachel's deceased husband – which had stood idle since his death – symbolizing the rebirth of the familial patriarchy. Tami's rape, which remains suppressed and unspoken of, is located in the narrative of family melodrama, and its role is dual: It serves to expose and criticize the loss of values and "departure from the path" of the Orthodox community, and at the same time reaffirms the nuclear family and mends the ideological tears in the community's fabric.