UTAH BLAINE 1957
This lower budget western film was produced by Sam Katzman's Clover Productions and released through Columbia Pictures. The film stars Rory Calhoun as gunslinger Mike "Utah" Blaine. The supporting cast includes, Paul Langton, Max Baer, Ray Teal, George Keymas, Ken Christy and pretty as a picture, Susan Cummings.
In this one, Calhoun gets himself mixed up with a range war between some long time ranchers, and a gang of vigilantes. The vigilantes, led by Ray Teal, want the big ranches broken up into smaller holdings. Teal has hired himself a slew of fast guns and various other assorted trash types to help him. He promises the men all ranches of their own.
Calhoun just happens on a man, Ken Christy, who these vigilantes have left hanging from a tree. Calhoun cuts the man down after the gang left. Christy is still alive and thankful for Calhoun saving his life. Once he finds out that Calhoun is a known fast gun, he offers to pay him for help. Christy also offers a nice slice of range and a 1,000 head of cattle. Calhoun has always wanted a place of his own and agrees.
Calhoun is soon knee deep in fist fights, shoot-outs and horse chases, both as the pursued, and the pursuer. Most of the local townsfolk are too afraid to stand up to Teal and his mob of hired guns. Calhoun does manage to get some help from a pal he knew from years before, Paul Langton. Langton is also handy with a six-gun, as well as the huge double-barrelled shotgun he hauls around. Max Baer, a local, also joins Calhoun.
In the mix here is gorgeous Susan Cummings. Miss Cummings is the owner of another of the bigger spreads around the area. She has just buried her father who was murdered by Teal and his bunch. She is soon helping Calhoun and company with food and a place to hide. Of course Miss Cummings and our man Calhoun take a shine to each other.
For Calhoun, the fight becomes very personal when he finds that gunman, George Keymas, is among Teal's men. It seems that Keymas had sold Calhoun out to the Mexican Federales, when the two had been on a job south of the border. Calhoun had spent a long stretch in a Mexican prison before finally escaping. He wants revenge.
The local folks finally join up with Calhoun's mob when Teal tries to murder another local ranch owner, Angela Stevens. They arm up and are waiting in ambush for Teal and his men when they hit town. There is a fairly liberal spraying of heavy metal, with Teal and his bunch on the wrong end. Calhoun and Keymas have their own little battle with Keymas joining the Boot Hill express.
This is a nifty little low renter that zips along in a quick 75 minutes. B-expert, Fred F. Sears, handles the direction here. Sears cranked out about 50 films in his 1949 till 1958 Hollywood career. Sears' films include, WORLD WITHOUT END, UTAH BLAINE, RUMBLE ON THE DOCKS, THE 49th MAN, CELL 2455 DEATH ROW and CHICAGO SYNDICATE.
Another B-film veteran, Benjamin H. Kline handles the cinematography. Kline worked on several excellent low-rent film noir such as, ROSES ARE RED, THE INVISIBLE WALL, JEWELS OF BRANDENBURG, TREASURE OF MONTE CRISTO and DETOUR.
The film is taken from the Louis L'Amour novel of the same name.
This lower budget western film was produced by Sam Katzman's Clover Productions and released through Columbia Pictures. The film stars Rory Calhoun as gunslinger Mike "Utah" Blaine. The supporting cast includes, Paul Langton, Max Baer, Ray Teal, George Keymas, Ken Christy and pretty as a picture, Susan Cummings.
In this one, Calhoun gets himself mixed up with a range war between some long time ranchers, and a gang of vigilantes. The vigilantes, led by Ray Teal, want the big ranches broken up into smaller holdings. Teal has hired himself a slew of fast guns and various other assorted trash types to help him. He promises the men all ranches of their own.
Calhoun just happens on a man, Ken Christy, who these vigilantes have left hanging from a tree. Calhoun cuts the man down after the gang left. Christy is still alive and thankful for Calhoun saving his life. Once he finds out that Calhoun is a known fast gun, he offers to pay him for help. Christy also offers a nice slice of range and a 1,000 head of cattle. Calhoun has always wanted a place of his own and agrees.
Calhoun is soon knee deep in fist fights, shoot-outs and horse chases, both as the pursued, and the pursuer. Most of the local townsfolk are too afraid to stand up to Teal and his mob of hired guns. Calhoun does manage to get some help from a pal he knew from years before, Paul Langton. Langton is also handy with a six-gun, as well as the huge double-barrelled shotgun he hauls around. Max Baer, a local, also joins Calhoun.
In the mix here is gorgeous Susan Cummings. Miss Cummings is the owner of another of the bigger spreads around the area. She has just buried her father who was murdered by Teal and his bunch. She is soon helping Calhoun and company with food and a place to hide. Of course Miss Cummings and our man Calhoun take a shine to each other.
For Calhoun, the fight becomes very personal when he finds that gunman, George Keymas, is among Teal's men. It seems that Keymas had sold Calhoun out to the Mexican Federales, when the two had been on a job south of the border. Calhoun had spent a long stretch in a Mexican prison before finally escaping. He wants revenge.
The local folks finally join up with Calhoun's mob when Teal tries to murder another local ranch owner, Angela Stevens. They arm up and are waiting in ambush for Teal and his men when they hit town. There is a fairly liberal spraying of heavy metal, with Teal and his bunch on the wrong end. Calhoun and Keymas have their own little battle with Keymas joining the Boot Hill express.
This is a nifty little low renter that zips along in a quick 75 minutes. B-expert, Fred F. Sears, handles the direction here. Sears cranked out about 50 films in his 1949 till 1958 Hollywood career. Sears' films include, WORLD WITHOUT END, UTAH BLAINE, RUMBLE ON THE DOCKS, THE 49th MAN, CELL 2455 DEATH ROW and CHICAGO SYNDICATE.
Another B-film veteran, Benjamin H. Kline handles the cinematography. Kline worked on several excellent low-rent film noir such as, ROSES ARE RED, THE INVISIBLE WALL, JEWELS OF BRANDENBURG, TREASURE OF MONTE CRISTO and DETOUR.
The film is taken from the Louis L'Amour novel of the same name.