where the enemy is time and your own over-confidence and not those nasty Nazis? That MIGHT describe it The magnificently laconic Robert Mitchum turns in one of his most captivating performances in Nicholas Ray's brilliant modern day western.
Set in the down and dusty world of professional rodeo riders, it also stars Susan Hayward and Arthur Kennedy. Mitchum is Jeff McCloud, a former rodeo star, now somewhat adrift and down on his luck. He stumbles into town and quickly latches onto Wes and Louise, a married couple with aspirations of someday having a place of their own. Wes also harbors dreams of becoming a star on the rodeo circuit, a world McCloud is all too familiar with and one that Wes figures could be his ticket to a more rewarding life. It doesn't take a whole lot of encouragement on Wes' part to convince McCloud to become his mentor and before long this trio is on the road in search of those elusive cowboy dreams. Likewise it doesn't take a genius to figure out that an uncomfortable romantic triangle will emerge, sparking an unsettling and inevitable chain of events.
This is one Nicholas Ray film that rarely gets mentioned, yet it is one of the director's most emotionally satisfying works. Masterfully shot in black & white by Lee Garmes ( "NIGHTMARE ALLEY", "PORTRAIT OF JENNIE", "CAUGHT", etc) it has a beautifully lived-in look that enhances the exotic world it portrays. The performances are all sterling and the dialogue provided for them (most likely compliments of Horace McCoy, one of the most remarkably and honestly expressive writers of the period) rings remarkably true even in the midst of some overtly romanticized (it is a Nicholas Ray film, after all) moments.
The rodeo sequences are exceptionally exciting. Of course, the movie is quite atmospheric and nicely captures the lifestyle of the rodeo crowd. There are some exciting moments (like Wes riding Yo-Yo) and some great lines. ("Men... I'd like to fry 'em all in deep fat!") Highly recommended, and you don't necessarily even have to be a western fan, just a student of human nature.
Set in the down and dusty world of professional rodeo riders, it also stars Susan Hayward and Arthur Kennedy. Mitchum is Jeff McCloud, a former rodeo star, now somewhat adrift and down on his luck. He stumbles into town and quickly latches onto Wes and Louise, a married couple with aspirations of someday having a place of their own. Wes also harbors dreams of becoming a star on the rodeo circuit, a world McCloud is all too familiar with and one that Wes figures could be his ticket to a more rewarding life. It doesn't take a whole lot of encouragement on Wes' part to convince McCloud to become his mentor and before long this trio is on the road in search of those elusive cowboy dreams. Likewise it doesn't take a genius to figure out that an uncomfortable romantic triangle will emerge, sparking an unsettling and inevitable chain of events.
This is one Nicholas Ray film that rarely gets mentioned, yet it is one of the director's most emotionally satisfying works. Masterfully shot in black & white by Lee Garmes ( "NIGHTMARE ALLEY", "PORTRAIT OF JENNIE", "CAUGHT", etc) it has a beautifully lived-in look that enhances the exotic world it portrays. The performances are all sterling and the dialogue provided for them (most likely compliments of Horace McCoy, one of the most remarkably and honestly expressive writers of the period) rings remarkably true even in the midst of some overtly romanticized (it is a Nicholas Ray film, after all) moments.
The rodeo sequences are exceptionally exciting. Of course, the movie is quite atmospheric and nicely captures the lifestyle of the rodeo crowd. There are some exciting moments (like Wes riding Yo-Yo) and some great lines. ("Men... I'd like to fry 'em all in deep fat!") Highly recommended, and you don't necessarily even have to be a western fan, just a student of human nature.