Here's another eerily evocative western from the undisputed master of the genre. PALE RIDER might well be my favourite Eastwood western yet: it's a perfectly made movie in which the star is at the top of his career both in terms of direction and acting. The plot itself is nothing remarkable – poor gold panners are hassled by a big wig business boss and a mysterious stranger turns up to fight for their cause – but it's the execution where this film excels. With a beautiful backdrop of mountainous scenery and a talented supporting cast, Eastwood delivers one of the finest westerns of the 1980s.
I particularly enjoyed Eastwood's turn as the unnamed preacher in this one. It's a reprise of a similar character he played in HIGH PLAINS DRIFTER, although his origins here are perhaps even more mysterious (he shows up when one of the characters prays to God for a miracle). Michael Moriarty, the archetypal quirky star of '80s genre fare, has possibly his most sympathetic role as the family man striving to do good who finds himself outnumbered by the bad guys. Carrie Snodgress gives sterling support as the backbone of his family, and the beautiful young Sydney Penny is captivating as his young, innocent daughter. The bad guys are well supported, too, with a brief show-stopping turn from Richard Kiel, Chris Penn playing a typical sleaze, Richard Dysart as the bluff businessman, and the excellent John Russell as the sinister lawman with whom Eastwood's character has a score to settle.
The story plays out pretty much as you'd expect, but there's an emphasis on plot and character over lame shoot-outs. The action, when it occurs, is stylishly done (early on our hero kicks backside with a piece of wood in a scene that would act as inspiration for Steven Seagal's entire career), with the traditional shoot-out at the climax particularly accomplished. Overall, this is a moving production, with believable characters and a story arc that doesn't disappoint. An underrated favourite.
I particularly enjoyed Eastwood's turn as the unnamed preacher in this one. It's a reprise of a similar character he played in HIGH PLAINS DRIFTER, although his origins here are perhaps even more mysterious (he shows up when one of the characters prays to God for a miracle). Michael Moriarty, the archetypal quirky star of '80s genre fare, has possibly his most sympathetic role as the family man striving to do good who finds himself outnumbered by the bad guys. Carrie Snodgress gives sterling support as the backbone of his family, and the beautiful young Sydney Penny is captivating as his young, innocent daughter. The bad guys are well supported, too, with a brief show-stopping turn from Richard Kiel, Chris Penn playing a typical sleaze, Richard Dysart as the bluff businessman, and the excellent John Russell as the sinister lawman with whom Eastwood's character has a score to settle.
The story plays out pretty much as you'd expect, but there's an emphasis on plot and character over lame shoot-outs. The action, when it occurs, is stylishly done (early on our hero kicks backside with a piece of wood in a scene that would act as inspiration for Steven Seagal's entire career), with the traditional shoot-out at the climax particularly accomplished. Overall, this is a moving production, with believable characters and a story arc that doesn't disappoint. An underrated favourite.