Sometimes as stunning as a museum visit, often turn away ugly, and filled with starts and stops that would be more potent as a limited series, where detail could have been greater. A lot is covered in two hours in this brutal look at an ugly time in the many chapters of world history. This takes place during the reign of the great restoration king Charles II of England and Great Britain, a ruler whose life had been part of "Forever Amber" and later the lengthy cable continuing series "The Stuarts", a major part of the often filmed "Nell Gwynn", and as notorious a ladies man as his distant cousin of a century before, Henry VIII. Sam Neill looks the part in the most commanding if ways, subtle in his nobility, yet flamboyant in his excesses.
The era was a great time of change in England, and this story focuses on one particularly complex man. Robert Downey Jr. proves once again his great versatility as a great doctor, hired for the king's court, who looses his gift for medicine from an unrequited love for Polly Walker, part of an arranged marriage set up by the king. Downey is dismissed, goes off to treat those suffering from a plague, falls in love once more (with peasant girl Meg Ryan) and proves his strength as a doctor, even under the most tragic circumstances of his own life.
There are moments when I had to turn my head, particularly a scene at the beginning involving a patient of Downey's whose chest cavity is open, exposing his innards as he stands erect. The plague scenes are realistically gruesome, with no hiding of the ugliness of that era. Charles' court is lavish, almost operatic in its sets, and the music is gloriously profound. Still, there's a missing element that makes it stand out as terrific, although it's a marvelously good try.
The era was a great time of change in England, and this story focuses on one particularly complex man. Robert Downey Jr. proves once again his great versatility as a great doctor, hired for the king's court, who looses his gift for medicine from an unrequited love for Polly Walker, part of an arranged marriage set up by the king. Downey is dismissed, goes off to treat those suffering from a plague, falls in love once more (with peasant girl Meg Ryan) and proves his strength as a doctor, even under the most tragic circumstances of his own life.
There are moments when I had to turn my head, particularly a scene at the beginning involving a patient of Downey's whose chest cavity is open, exposing his innards as he stands erect. The plague scenes are realistically gruesome, with no hiding of the ugliness of that era. Charles' court is lavish, almost operatic in its sets, and the music is gloriously profound. Still, there's a missing element that makes it stand out as terrific, although it's a marvelously good try.