8/10
Self-loathing Prosecutor learning...
13 November 2016
This movie was released the same year as West Side Story, At the beginning of this movie, one sees a gang of hoods swaggering down the street. One almost expects them to break out into song and dance like the Jets did in West Side Story. In fact, the beginning of this movie has MANY parallels to West Side Story—right down to the two NYC ethnic gangs fighting to protect their respective street turfs. One gang is Italian (but HERE they call themselves the Thunderbirds--rather than the Jets.) The other gang is Puerto Rican (but HERE they call themselves the Horseman—rather than the Sharks). These parallels are eerie and it almost seems like one movie is copying the other.

However, at this point, the two movies diverge since The Young Savages is no musical, no modern retelling of 'Romeo and Juliet,' no love story. Furthermore, far from the self-satirizing done in 'Gee Officer Krupke,' The Young Savages DOES explore and probe factors such as the criminals' age, personal problems, ethnic background, and social surroundings to judge when and how 'crimes' should be judged and punished.

The movie starts with the brutal gang killing of a blind Puerto Rican boy. The suspects are arrested as they flee the scene of the murder, but claim that the killing was done in self-defense. Hank Bell (Burt Lancaster) is the district attorney who prosecutes the case. His investigation takes him on a search that will teach as much about himself and HIS motives as it does with those of the suspects. First we learn that his wife, Karin (Diana Merrill), is a privileged WASP who is a critic of capital punishment; Hank is vengeful (which lead to tension with their marriage).

As the prosecutor, Hank is basically working against the Italian gang (the suspects) and for the Puerto Ricans (the victims). BUT he, himself, is an Italian who had escaped (through education, marriage, and status) the same neighborhood where the suspects come from. In fact, he had formerly dated one of the suspect's mothers, Mary de Pace (Shelley Winters). The case that had looked like an open-and-shut capital murder, turn out to be more complicated than he had thought, as the fact about both side (suspects and victims) emerge.
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