Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris' student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words.
The shooting started before the events of May 68 and was finished shortly afterwards. Co-produced by the O.R.T.F., the film was upon completion rejected by French national television, then released in the cinema where it was subsequently banned by the French government. The title is a reference to Nietzsche's book "The Gay Science".
For me, this film just further cements the weirdness that is Godard. He is something of a cinematic anarchist, throwing just about any picture or sound he wants on the screen, and this seems to be a running theme of his throughout the 1960s. The extended scene where a child is playing a word association game -- what is that? Is that taken from another film, or did Godard actually include it for some sort of strange, revolutionary metaphor?
The shooting started before the events of May 68 and was finished shortly afterwards. Co-produced by the O.R.T.F., the film was upon completion rejected by French national television, then released in the cinema where it was subsequently banned by the French government. The title is a reference to Nietzsche's book "The Gay Science".
For me, this film just further cements the weirdness that is Godard. He is something of a cinematic anarchist, throwing just about any picture or sound he wants on the screen, and this seems to be a running theme of his throughout the 1960s. The extended scene where a child is playing a word association game -- what is that? Is that taken from another film, or did Godard actually include it for some sort of strange, revolutionary metaphor?