I hadn't seen this strange hodgepodge of a film for about 40 years and finally caught up with it again on DVD.
All of the ingredients and defects that irritated me the first time around were just as irritating the second - the pet bear (a "joke" that long outstays its welcome) Leon Errol's drunk act and the tedious Burns and Allen shtick that is frequently dropped into the film without any relationship to the story - while the good parts still pleased me, namely Carole Lombard's winsome beauty and charm, and the lovely songs by Gordoon and Revel, which are not always presented to their best advantage but are very catchy nonetheless.
However, one thing I had not noticed 40 years ago on first viewing but which is worthy of mention, is that Mr Crosby sings "live" on set for most of the film and the orchestra is clearly on the soundstage, accompanying him and also most of the action.
This must have been one of the very last musical films to be shot in this way, without playback and lip-synchronisation (only perfected in 1933), which would soon become the industry norm.
So, this is a curio for that reason and also interesting in that we can more accurately assess Crosby's vocal skills and his way of performing and phrasing a song at this stage of his career - rather well, on this evidence.
Poor Ethel Merman is totally wasted but I read elsewhere here that her big number was cut and re-used in the later BIG BROADCAST of 1936. Her best film was yet to come - Alexander's RAGTIME BAND, where she lights up the screen every time she comes on to belt out another Irving Berlin hit.
Back to this film - its one saving virtue is its length - a crisp 74 minutes, which means that no matter how tiresome the comedy becomes (and it does, believe me), it isn't too long to wait before Bing sings yet another lovely song. The DVD print is in pretty good shape too.
All of the ingredients and defects that irritated me the first time around were just as irritating the second - the pet bear (a "joke" that long outstays its welcome) Leon Errol's drunk act and the tedious Burns and Allen shtick that is frequently dropped into the film without any relationship to the story - while the good parts still pleased me, namely Carole Lombard's winsome beauty and charm, and the lovely songs by Gordoon and Revel, which are not always presented to their best advantage but are very catchy nonetheless.
However, one thing I had not noticed 40 years ago on first viewing but which is worthy of mention, is that Mr Crosby sings "live" on set for most of the film and the orchestra is clearly on the soundstage, accompanying him and also most of the action.
This must have been one of the very last musical films to be shot in this way, without playback and lip-synchronisation (only perfected in 1933), which would soon become the industry norm.
So, this is a curio for that reason and also interesting in that we can more accurately assess Crosby's vocal skills and his way of performing and phrasing a song at this stage of his career - rather well, on this evidence.
Poor Ethel Merman is totally wasted but I read elsewhere here that her big number was cut and re-used in the later BIG BROADCAST of 1936. Her best film was yet to come - Alexander's RAGTIME BAND, where she lights up the screen every time she comes on to belt out another Irving Berlin hit.
Back to this film - its one saving virtue is its length - a crisp 74 minutes, which means that no matter how tiresome the comedy becomes (and it does, believe me), it isn't too long to wait before Bing sings yet another lovely song. The DVD print is in pretty good shape too.