9/10
Intensely shocking, you'd think it almost taboo for 1950s movies
23 June 2017
Warning: Spoilers
I recommend that you don't read this review if you haven't seen this film, but intend to. This film is all about suspense that builds to a shocking end. It is usually classified as a mystery, but could almost rank as horror.

"Suddenly, Last Summer" is an excellent film made by talented movie professionals, and it deserved all the accolades and awards for which it was nominated and won. However, I'm always surprised by some people who attempt to gloss over, or even deny, the extremely harsh subject matter of its story. Plain and simple, the story is based on a wealthy man who was secretly a homosexual child molester – an intense subject for 1950s movies. This man also possessed a lurid charm, and was loved and respected by family and community. The man spent much of his life traveling extensively overseas, secretly using his inherited wealth to lure young poor foreign boys into sex, until one summer his criminal escapades came crashing down in a bizarre dramatic and gory end that resulted in his death. The movie starts at the point of his death, and this post plot is perhaps most shocking of all: his wealthy mother (played by Katharine Hepburn) had actually assisted him in his past crimes, and after his death she takes extreme felonious measures in a desperate attempt to bury her son's dark secret.

Playing the villain in a movie was a departure for Hepburn, but she performed it with her usual perfection, as proved by both her and Taylor's nominations for best actress.

Even today this would be a gritty subject for a movie; so it must have been really taboo in the 1950s. It is my understanding that even Tennessee Williams (author of the original play) was not happy that it was made into a movie. I don't think a movie like this could easily be made today, and be as successful. It is certainly not for children, although they'd probably watch it without understanding its full implications. But I don't like adults who try to hide this movie's subject matter, and pretend it's about psychiatry, because it's not.

This film also exemplified the social activism of Elizabeth Taylor and Katharine Hepburn, both women ahead of their time, both considered this film important in dealing with unpleasant truths, something neither woman shrank away from during their careers. Both women were also expressly angry with director Joseph Mankiewicz's ill treatment of actor Montgomery Clift during the filming of this movie. Clift was going through a tough time, having recently suffered his infamous car accident. I think Clift cast as Dr. John Cukrowicz was one of the key elements to this film's success.
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