After watching three charming 1927 shorts last night I decided to get back to watching feature flicks. Checking BBC iPlayer,I was intrigued to find a recent Quebec French film I've heard nothing about,which led to me booking a table at the café.
The plot:
Touring around the world as a DJ, Antoine tries to take care of his children whilst also falling in love with girlfriend Rose. Feeling that he wants to take the next step with Rose,Antoine starts to think how this will complicate things with his ex-wife Carole.In 1960's Paris,single mother Jacqueline passionately takes care of her Down syndrome son Laurent. Each appearing to live separate lives,Antoine spins a tune that he,Rose,Carole,Laurent and Jacqueline all sing across time.
View on the film:
Tightly coiled in the love they have for each other Vanessa Paradis & Marin Gerrier both give exceptional performances as Jacqueline and Laurent. Going against demands for him to be put in a "specialist" hospital, Paradis expresses Jacqueline's love for her son in an incredibly subtle way,via the change in her open facial expressions and protective body language displaying how important giving her love to Laurent is. Embracing his mum's love, Marin Gerrier gradually breaks open a rift between them,as Laurent puts his hands out for love from another.
Spinning the wheels of steel with EDM and Pink Floyd,writer/editor/director Jean-Marc Vallée and cinematographer Pierre Cottereau give Antoine's thread a slick "clubbing" appearance,where neon blue and yellow lights flick across the screen. Making 60's Paris look like a Costume Drama, Vallée paints Jacqueline and Laurent and drab,dour browns and yellows chipping into the hardships they face.
Drifting between the two threads,the screenplay by Vallée hits the heart of the film when focusing on Laurent and Jacqueline,thanks to their relationship being given a humble Neo-Realist edge,focusing on the obsessive,protective love that Laurent and Jacqueline become caught in. Attempting to match the drama from the duo, the suburban trouble Antoine becomes tangled in disappointingly fails to match the deep emotions in Jacqueline and Laurent's tale. Keeping the drama grounded, Vallée brings a New Age twist in which undermines all that has taken place,with the dialogue spilling into inane spiritual nonsense which shuts the café doors.
The plot:
Touring around the world as a DJ, Antoine tries to take care of his children whilst also falling in love with girlfriend Rose. Feeling that he wants to take the next step with Rose,Antoine starts to think how this will complicate things with his ex-wife Carole.In 1960's Paris,single mother Jacqueline passionately takes care of her Down syndrome son Laurent. Each appearing to live separate lives,Antoine spins a tune that he,Rose,Carole,Laurent and Jacqueline all sing across time.
View on the film:
Tightly coiled in the love they have for each other Vanessa Paradis & Marin Gerrier both give exceptional performances as Jacqueline and Laurent. Going against demands for him to be put in a "specialist" hospital, Paradis expresses Jacqueline's love for her son in an incredibly subtle way,via the change in her open facial expressions and protective body language displaying how important giving her love to Laurent is. Embracing his mum's love, Marin Gerrier gradually breaks open a rift between them,as Laurent puts his hands out for love from another.
Spinning the wheels of steel with EDM and Pink Floyd,writer/editor/director Jean-Marc Vallée and cinematographer Pierre Cottereau give Antoine's thread a slick "clubbing" appearance,where neon blue and yellow lights flick across the screen. Making 60's Paris look like a Costume Drama, Vallée paints Jacqueline and Laurent and drab,dour browns and yellows chipping into the hardships they face.
Drifting between the two threads,the screenplay by Vallée hits the heart of the film when focusing on Laurent and Jacqueline,thanks to their relationship being given a humble Neo-Realist edge,focusing on the obsessive,protective love that Laurent and Jacqueline become caught in. Attempting to match the drama from the duo, the suburban trouble Antoine becomes tangled in disappointingly fails to match the deep emotions in Jacqueline and Laurent's tale. Keeping the drama grounded, Vallée brings a New Age twist in which undermines all that has taken place,with the dialogue spilling into inane spiritual nonsense which shuts the café doors.