8/10
It is what it is; bringing the young Marx to life though people wanting more may be disappointed
1 July 2017
Warning: Spoilers
'A spectre is haunting Europe, the spectre of communism'. These are the opening lines of the Communist Manifesto which ironically is the film's conclusion. We learn that the purpose of the opening paragraph in the manifesto was to be simple and straight to the point, while saying so much. That's what this film is and what it did so well, draw the viewer into a simple world of major importance and complexity. "Substance, but no style!" Is what I heard people say as they left the cinema. Hmm, I'm not sure if I agree...well, fully. Indeed the film had its flaws and yes, it lacked urgency to go read Marxism but what we did get was the man himself and his 'world'. The title using 'young' is realistic; a man most known for the 'birth' of communism is the premise of the film and it was super compelling. This film could have had more style sure, but what is style if there is no substance. Communism has a collaborative process so it was great to see its collaborative side through a fantastic supporting cast ushered by an intelligent screenplay, though the film may be overwhelming for some with its excessive discussion of 'Marxist' philosophy. You never see Marx in a room by himself which ignores an independent or 'hero' image that he may be associated with because he was honestly a family man who liked to chat and have a good laugh. A family man, with the help of his friends, produced the product (The Communist Manifesto) that the film ends with in its final scene and is ultimately what the film is about.
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