When Woodrow Truesmith comes marching home, it's to the happiest homecoming any U. S. Marine ever saw: Marching bands, a mortgage- burning ceremony for his mother, even a campaign for mayor. But Truesmith's not only a reluctant hero, he's no hero at all.
Transforming a false-flag endeavor into the stuff of comedy would be a challenge for any writer-director circa World War II: Preston Sturges handles it with steady aplomb. Truesmith (Eddie Bracken) is no fraud; rather he's found himself with six real Marines who take to him and his failed effort to join their ranks, and decide to grant him the stature that hay fever denied. The fact Truesmith himself wants no part of this only makes it more interesting.
"They want heroes, we got six of 'em," says Marine Sgt. Heffelfinger (William Demarest). "All right, we throw in a seventh for good luck. Who's counting?"
Bracken and Demarest have some great back-and-forths, two overbearing actors who find just the right backboards in each other. When Truesmith refuses to wear a Marine uniform because it's against regulations, Sgt. Heffelfinger waves it off: "That only applies to Marines."
When the other five Marines take turns telling terrible Truesmith tales to the tipsy townspeople, Truesmith complains they are lying. Heffelfinger again holds firm: "Every one of those boys is telling the truth except they changed the names a little so as not to give out military information."
Why are the Marines so gung-ho on selling Truesmith so high? Some of it has to do with his father, a war buddy Heffelfinger saw fall at Belleau Wood. Heffelfinger probably senses Truesmith would have turned out the same had hay fever not gotten in the way, and he's keeping faith with the old man. Also, these six Marines still have a war to fight. By championing Truesmith, they are getting maybe their only chance at a heroic homecoming of their own.
And what a homecoming! Norman Rockwell couldn't have painted it better. Georgia Caine as Woodrow's mother makes breakfast for six new sons, while Ella Raines as the girl Woodrow left behind keeps putting off breaking the news that she's gotten engaged to someone else. This is comically difficult when everyone in town including the fiancé's mother is pulling for Woodrow.
The usual Sturges stock company shows up here; this time there's no awkward shoehorning as the characters have just enough time to make their unique impressions without clogging up the works. It's actually a marvelous thing how the movie flows together, a thrusting narrative that makes time for diverse voices by having everyone interrupt everyone else. Raymond Walburn as the narcissistic mayor even interrupts himself.
Just when things seem to be reaching critical mass, Sturges cuts to a tender moment between Bracken and Raines, or a tense one between Woodrow and one of the Marines (Freddie Steele) who suffers from undiagnosed PTSD and is fixedly determined that Woodrow not disappoint his mother, being he has no mother of his own. Even this isn't beyond Sturges' comedy.
"Are you nuts or something?" Woodrow asks him.
"Maybe," the Marine answers.
Sturges works a political campaign into the story, coded messages about greedy Republicans doing battle with selfless Democrats with a war hero thrown in the mix. It's very simplistic, but adds to the fun.
Sturges films can be exhausting, but "Hail The Conquering Hero" hits all the right notes. It has a lot to say about military service, and how people can contribute to a larger cause with or without putting themselves in combat. There are many ways to be a hero.
Transforming a false-flag endeavor into the stuff of comedy would be a challenge for any writer-director circa World War II: Preston Sturges handles it with steady aplomb. Truesmith (Eddie Bracken) is no fraud; rather he's found himself with six real Marines who take to him and his failed effort to join their ranks, and decide to grant him the stature that hay fever denied. The fact Truesmith himself wants no part of this only makes it more interesting.
"They want heroes, we got six of 'em," says Marine Sgt. Heffelfinger (William Demarest). "All right, we throw in a seventh for good luck. Who's counting?"
Bracken and Demarest have some great back-and-forths, two overbearing actors who find just the right backboards in each other. When Truesmith refuses to wear a Marine uniform because it's against regulations, Sgt. Heffelfinger waves it off: "That only applies to Marines."
When the other five Marines take turns telling terrible Truesmith tales to the tipsy townspeople, Truesmith complains they are lying. Heffelfinger again holds firm: "Every one of those boys is telling the truth except they changed the names a little so as not to give out military information."
Why are the Marines so gung-ho on selling Truesmith so high? Some of it has to do with his father, a war buddy Heffelfinger saw fall at Belleau Wood. Heffelfinger probably senses Truesmith would have turned out the same had hay fever not gotten in the way, and he's keeping faith with the old man. Also, these six Marines still have a war to fight. By championing Truesmith, they are getting maybe their only chance at a heroic homecoming of their own.
And what a homecoming! Norman Rockwell couldn't have painted it better. Georgia Caine as Woodrow's mother makes breakfast for six new sons, while Ella Raines as the girl Woodrow left behind keeps putting off breaking the news that she's gotten engaged to someone else. This is comically difficult when everyone in town including the fiancé's mother is pulling for Woodrow.
The usual Sturges stock company shows up here; this time there's no awkward shoehorning as the characters have just enough time to make their unique impressions without clogging up the works. It's actually a marvelous thing how the movie flows together, a thrusting narrative that makes time for diverse voices by having everyone interrupt everyone else. Raymond Walburn as the narcissistic mayor even interrupts himself.
Just when things seem to be reaching critical mass, Sturges cuts to a tender moment between Bracken and Raines, or a tense one between Woodrow and one of the Marines (Freddie Steele) who suffers from undiagnosed PTSD and is fixedly determined that Woodrow not disappoint his mother, being he has no mother of his own. Even this isn't beyond Sturges' comedy.
"Are you nuts or something?" Woodrow asks him.
"Maybe," the Marine answers.
Sturges works a political campaign into the story, coded messages about greedy Republicans doing battle with selfless Democrats with a war hero thrown in the mix. It's very simplistic, but adds to the fun.
Sturges films can be exhausting, but "Hail The Conquering Hero" hits all the right notes. It has a lot to say about military service, and how people can contribute to a larger cause with or without putting themselves in combat. There are many ways to be a hero.