This film, although often difficult to watch, is an unflinching look at ethnic internment during the Bosnian War. There is little dialogue, and the film's message is conveyed through a variety of techniques, the first of which is lighting. Before the war, Samira (the main character) is framed with natural light, soft tones, and sunlit backgrounds. After her capture and subsequent internment, the lighting becomes stark and harsh. The main actress, Natacha Petrovic, is also able to convey Samira's thoughts and feelings through her carefully calculated facial expressions. The lack of dialogue allows the viewer to interpret much of the story, and also avoids contrived/overstated dialogue. The director is not Bosnia, but she seems to be intuitive and sensitive in presenting the material so that it does not feel exploitative. She also does not explicitly mention which ethnic group in interned and which group is interning (as it were), which is an excellent choice in that it allows for a wider variety of experiences to be represented. Although it is hinted that this specific film focuses on Bosnian Muslims being interned by Serbs, there is some wiggle room for other groups to be included as well.
Review of As If I Am Not There
