Director: JAMES HOGAN. Screenplay: Stuart Palmer. Based on the 1926 novel The Final Count by H.C. ("Sapper") McNeile. Photography: Ted Tetzlaff. Film editor: Stuart Gilmore. Art directors: Hans Dreier, Franz Bachelin. Set decorations: A.E. Freudeman. Music director: Boris Morros. Assistant director: Evan Thomas. Sound recording: Hugo Grenzbach, Richard Olson. Western Electric Sound System. Producer: Stuart Walker.
Copyright 25 November 1938 by Paramount Pictures Inc. Presented by Adolph Zukor. New York opening at the Criterion: 11 January 1939. U.S. release: 25 November 1938. Australian release: 12 January 1939. 6 reels. 60 minutes. SYNOPSIS: Drummond and his friends travel to a British-held tropical island to corner a villain who has transported a powerful death ray there from London, after killing its inventor.
NOTES: Number 14 of the 24-picture "Bulldog Drummond" series.
COMMENTS: There's plenty of explosive action in this one (after a slow start) and the support cast is interesting too. Unfortunately, the script re-introduces Nielson's tiresome "Don't call me Inspector!" joke, though Reginald Denny is less boobish than usual and Nydia Westman is mercifully not present. Hogan keeps the film moving at a crackling pace and production values, headed by Ted Tetzlaff's cinematography, are good.
Copyright 25 November 1938 by Paramount Pictures Inc. Presented by Adolph Zukor. New York opening at the Criterion: 11 January 1939. U.S. release: 25 November 1938. Australian release: 12 January 1939. 6 reels. 60 minutes. SYNOPSIS: Drummond and his friends travel to a British-held tropical island to corner a villain who has transported a powerful death ray there from London, after killing its inventor.
NOTES: Number 14 of the 24-picture "Bulldog Drummond" series.
COMMENTS: There's plenty of explosive action in this one (after a slow start) and the support cast is interesting too. Unfortunately, the script re-introduces Nielson's tiresome "Don't call me Inspector!" joke, though Reginald Denny is less boobish than usual and Nydia Westman is mercifully not present. Hogan keeps the film moving at a crackling pace and production values, headed by Ted Tetzlaff's cinematography, are good.